[Metal/Symphonic] Midnight Sorrow – Pick A Tale (80%)

After two long years of waiting, Midnight Sorrow (Strasbourg, France) finally released their first full length album. This French symphonic metal band fronted by Maureen had a good feedback on their first EP “At First”. Maureen voice is very interesting, because she is one of the few French metal singer that can put high notes without pushing, reaching the same tones than Tarja and Sharon.
It is a 13-track album, lasting about 63 minutes and including three remastered songs from their original EP. I will discuss more about them later.
We get into the album with “Prelude of the Night”, giving this kind of mysterious feeling, almost felt like watching the opening sequence of Dario’s Argento “Suspiria”.  The album quickly and seamlessly transition into “Glorious”, a soft introduction to the band. Its good, it is not overproduced but it is also maybe lacking a bit of a “bang” that would like when you listen a first song of an album. The third track, “Between Sun & Moon”, is a remastered version of their EP. I like it, it sounds better but in the same time not overproduced or arranged.

They keep it simple, refined but simple, with a touch of Celtic flute. “Lost for Eternity” brings on the heavier tones, surfing even into some power metal tunes.

“Black Snow” was okay but if I compare to other songs, I found it kind of weak. “Number 6” brings on the power melodics, showing the potential the band and Maureen, really make me to get out my chair and headband with my (almost) bald head :p.
We then continue with three “remixes” from songs taken from their EP, with “Crystal Drops”, “Waterfall” and “At First”. All three well arranged and really enjoyable to listen again with the new tone. “The Place” was nice to listen, mixing between the symphonic and the power melodic tones. “Phaze” is the acoustic metal ballad of the album, making you prompt to take out your lighter and slowly swing your arm. It is a very nice track. “Treasure of Your Life”, the 12th track of the album is also the longest totaling almost 12 minutes made of several acts, blending elements of symphonic and power metal. With catchy tunes and drums that make it engaging, this is my favorite of the whole album. Finally, the last track “A Last Ceremony” closes the album. It is fine, reserved but kind of left hungry.

Overall, Midnight Sorrow first album worth the discovery. In times where symphonic metal bands are fighting each others via “faster, louder and fluffier” arrangements, “Pick A Tale” comes as an elegant and delicate piece of symphonic metal album that is enjoyable without saturating your ears.
The major criticism is probably the album may have a certain bland taste, I was expecting something a bit more spicy, a bit more “piquante”, you know something to bang on.
If you have to pick an album this month and want to get out settled paths, give a try to the band.

[Metal/Gothic Metal] Within Temptation – Enter (20th Anniversary Release)

Today marks the 20th anniversary release of the first album of the Dutch Gothic/Symphonic Metal band Within Temptation.
What I can tell is after all these years, this remains my most favorite album by the band. Why?
Probably this perfect blend of doom, gothic with a pinch of symphonic metal and of course Sharon Den Adel alias “Angel Voice”.  It may also because it was the heaviest album they had in their whole discography. The album is an 8-track album totaling 46 minutes.
It starts with “Restless”, a minimal but nicely starter allowing to appreciate Sharon’s voice. A classic of all WT song. The second track, “Enter”, brings on the heavy guitars, Robert Westerholt growls and Martijn Westerholt (Delain) on the keyboards. This gives this magic formula that makes “Enter” such a good song, giving this magical and gothic feel. The third track continues in distilling this magic “Pearls of Light” with Sharon taking the lead with the sounds of the harp. Listening to this song brings this soothing relief, followed by the lead guitars smashing the heavy tones into it and giving this bipolar tunes between the heavy from the guitars and the lightness of the keyboard.
“Deep Within”, the fourth track is in the continuation of the tone of the whole album. Nice but I always felt it was the weakest of all songs, considering the whole album standing strong like a rock. “Gatekeeper”, the fifth track of the album, is my favorite of all. Heavily gothic and influenced by elements of doom metal, it is dark and gloomy with a crescendo in the instrumentation slowly adding the heaviness and boldness. I lost my voice each time I try to keep on Sharon’s frequency notes.
“Grace” is another good song (Nº6 song), especially the second half of it as Sharon takes on the main part. It is also reflecting the heavy influence of Kate Bush on Sharon singing style, using the same song dynamics than the latter used to. “Blooded” is the instrumental track of the album, a finely arranged piece that really marked the band with their signature. “Candles”, the last track, is another jewel from the album by keeping the same flow of “Gatekeeper”. It is so beautiful to listen, with its melancholic tones and Sharon soothing voice all over, only to get shaken by the heavy guitars and Robert’s growl.
If I had to go to exile with only one album from my favorite bands, this is the album I would take from Within Temptation without an hesitation. This is where I found they had their best blend and musical style before they sailed into other directions that were not following my ears.
My only wish is as we mark the 20th anniversary of that release is that the band decide to rediscover this rich and engaging style that made them at the frontier of the symphonic metal scene.

[Symphonic Metal] Within Temptation – The Heart of Everything 10th Anniversary

Today marks the 10th release of “The Heart Of Everything”, the fourth album from the Dutch Symphonic Metal band Within Temptation. It is a 11-track album (with two extra tracks in the North American version) totaling over a bit more than 57 mins.
This album has a special place in my heart because it marks a turning point in the band discography by several aspects.
First, I found that Sharon Den Adel, aka “Angel Voice”, reached her full potential in her vocals making it a delight to listen to her soprano voice. That settles for me Sharon with one of the most gracious voice in female-fronted metal bands. Second, the band at this point have successfully transitioned into full symphonic metal and have done a remarkable sound engineering work with the orchestral arrangements and the melodics, making always a 100% hit in my cerebral hedonistic center. In other words, it gives me an acoustic orgasm, each time i hear this album. Third, the lyrics of several tracks are just resonating so well with the tumultuous of this century and still resonate very well ten years after its release.

Let’s go through the album quickly through the track. First, we get introduced to it with “The Howling”, setting up the symphonic gunnery upfront, setting the tone for the album with a well-designed combination between the gracious symphonic elements and the guitar bass shredding.

“What Have You Done Now”, the second track is in my opinion is a weak element but plays straight into the Evanescence playlist and can be considered as a gateway vector for an audience not accustomed to listening metal bands. “Frozen” is a beautiful song and surprisingly would have been a perfect match for the movie “Frozen”, giving it a much darker tone.
“Our Solemn Hour” is one my favorite, opening on with a radio announcement of Wilson Churchill on the declaration of war, decrying the folly and insanity of human mind to war and destruction. “The Heart of Everything”, “Hand of Sorrow” and “The Cross” continues on the magic formula giving us a very strong middle section in the album.
The album then enters into less enjoying tracks (in my opinion) such as “Final Destination”,  “All I Need”. Then came the final act of this serendipitous album with two major favorites: “Stand My Ground”, “The Truth Beneath The Rose” and “Forgiven” bringing on the magic formula once again.

However if I have to pick one song that would be “The Truth Beneath The Rose” nicely orchestrated and dynamic, that is very engaging. The lyrics are straight into fighting the religious zealotry and extremism, calling on rejecting those who praise on killing in the name of the religion as a key to Heaven.

In my personal discography, this is the pinnacle album in Within Temptation’s discography (excluding the Black Symphony that is the live orchestral performance of their discography up to this album). After this album, the band decided to engage into softer stance and into something more accessible for the lay audience. Despite I don’t find the same appeal in their following releases, the band still keep a special place in my heart by being in the front of the gothic/symphonic metal first wave, with the unique voice of Sharon Den Adel.

[Symphonic Metal] Xandria – Theater of Dimensions (92%)

It has been a while since I did not posted a review on a metal album. Xandria nicely reminded me that it was long due by releasing their latest album “Theater of Dimensions”. Well, what I can tell about Xandria. I really liked their album “Neverworld’s End” fronted by Manuella Kraller. The release of “Sacrificium” and the change in line-up with Dianne Von Giersbergen (ex-Libris) now fronting was letting me skeptical. Don’t take me wrong on this one. Dianne with her prog metal band is simply awesome but I found her a bit in retreat and soft in “Sacrificium”.
I purchased the digital album containing 13 tracks for 75 minutes of some awesomess. There is a deluxe version with four acoustic if you have the extra $$$ for it. I have been running in a loop for the last 72 hours. What I can tell, we have the perfect blend of Xandria taking the best of “Neverworld’s End” and “Sacrificium”. That gives a detonating mixture.
We start with “Where The Heart is Home” bringing the bang and the bombastic symphonics with the metal, with Dianne perfect as ever unleashing her voice into this engaging first track. We rapidly follow with “Death To The Holy” that infuse Celtic influence. This is the main influence of the album, a certain Celtic feeling but also feeling like a Pirate song. Very engaging song and one of my favorites of the album.
“Forsaken Love” dig further into the Celtic influence, nice and very enjoyable ballad to listen. “Call of Destiny” brings on the same tempo than “Nightfall” and “Sacrificium”, fast-paced and heavy. “We Are Murderers” push aside the symphonic elements and put own the heaviness. “Dark Night of the Soul” brings on the enjoyment of the ballad, swinged by Dianne powerful voice. “When The Walls Came Down” brings on the heavy riffs back and the kick that make the Symphonic Metal powerful.
“Ship of Doom” was nice if you are in the mood of some pirates song, arghhh!  If you really like the Celtic tones, jump on “Ceili” blending it with metal and let chill your spine. Very engaging and refreshing to listen to it. “Song For Sorrow and Woe” was okay but not more than that in my opinion. Same as “Burn Me”. “Queen of Hearts Reborn” brings on the Xandria signature: a very delicate dosage of choirs, symphonic and heaviness with Dianne flying high pitches with a grace and an elegance.
Finally, the last track “A Theater of Dimensions”, the piece of resistance (14:24). A very nice song in three acts starting as an acoustic ballad, raising the tone with the heavy elements and riffs and adding the symphonic and getting into the same tones than Dark Sarah, giving this kind of Tim Burtonesque feel to it. A damn good song, that rides like a rollercoaster.
Xandria is back with a bang. Nicely crafting powerful melodics, choirs, heavy riffs and soprano vocals. This album settles Dianne as the perfect singer for the band, only unleashing her impressive voice. If you have never listen to Dianne singing, you have never listen to Symphonic metal. Xandria rightfully earned the title “album of the month” and makes a bang into 2017.

[Metal/Symphonic] Dark Sarah – The Puzzle (80%)

2016 is ending, so does my last review for this year. To close this (not so great) year, I decided to give a review on “The Puzzle”, the second album from Heidi Parviainen solo project “Dark Sarah”.
Dark Sarah proved last year her ability to handle a successful solo career with “Behind the black Veil”, a well-designed symphonic metal album that has this strong Tim Burton influence by its dark tale and had also this musical touch remembering some of the best composition by Danny Elfman. How does her second album “The Puzzle” stands?
It stands pretty good, I would say it is more colorful and more like a fairy tale.
It is a 10-track album, totaling about 51 minutes.
It starts with  “Breath”, a 2-minutes introduction that gives this feel of adventure and sailing on new horizons. “Island In the Mist” brings on the heaviness and like its title means, follows on the sailing of “Breath”. Nice track but nothing fancy.
Then came “Little Men” that really scared me when Dark Sarah published it because it is colorful, even a bit psychedelic. But I guess it is part of the storytelling of the album. Yet it remains my least favorite track of the album. See and judge by yourself.

The album continues with “Ash Grove” a bit repetitive but get quickly eclipsed by “For The Birds” and “Deep and Deeper” giving this lightness and fairy-tale feeling to the album. “Dance With The Dragon” brings up the charm that was in Beyond the Black Veil, giving this darker and more melodramatic tone. The best track in my opinion of the album.

“Cliffhanger” is also a favorite, by this minimalism giving us to fully appreciate Heidi’s voice. The album ends up with two very nice songs. “Aquarium” featuring Charlotte Wessels (Delain) has the footprint of Delain infused in it giving this fast-paced and poppy sound giving a good kick in the album.

In contrast, “Rain” is much more calm, a very enjoyable ballad featuring Manuela Kraller (ex-Haggard, ex-Xandria). Overall, it is a good album, proving the ability of Heidi to hold on as a solo project. In my opinion, I preferred “Behind the Black Veil” by its much darker and more orchestral tone.

[Symphonic Metal] Midnight Eternal – Midnight Eternal

 

Another day, another metal album review. What I like about the metal genre is the versatility of styles you can find. You can find almost any flavors you are interested blended with metal.
Looking for epic stories? Heavy Metal. Want some rage of punk with a more constructed fashion? Thrash and Death Metal. Want classical music with some bass? Symphonic and Neoclassic Metal. More into vikings and Nordic mythology? Folk Metal!
Then you have some interesting bands that blur the taxonomy by their style and their interest. If you have a fond for video games and anime, you surely know Dragonforce (and the insane guitar riff speed from Hermann Li). Now imagine that Dragonforce (Power Melodic Metal) and Nightwish (Symphonic Metal) have a natural child: something that blends the fast-pace and video games lore of the former with the symphonic element of the later. Midnight Eternal maybe this one of this natural child, based on the continuous listening of their first album “Midnight Eternal”, a 12-songs album lasting 49 minutes.

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Midnight Eternal is a symphonic metal band from New York City, New York fronted by Raine Hilai. The album is a blending of both symphonic and melodic metal songs, alternating between each titles. If you like power melodic metal you will like it, ditto if you like symphonic metal.
Things starts pretty conventionally for a symphonic metal band with “‘Till The Bitter End”. Nice tunes but nothing much different from other symphonic bands. However, things quickly take a different turn with “Repentance” kicking in the power melodics into, making a very engaging song. The shit gets real and becomes very interesting. It has these kind of anime and video games tunes that is really is a plus and makes it unique, I have yet to find another symphonic metal bands playing in this chord.
The third title of the album is “Signs of Fire”. I will not talk much about it since there is a video for it, but this one is more surfing in the symphonic style.

The rest of the album alternate between symphonic and power melodic metal, like a rollercoaster.  “Shadow Falls”, “Believe In Forever”, “Midnight Eternal”, “Like an Eternity” brings in the power melodics, whereas “The Lantern”, “When Love and Faith Collide”, “Pilgrim and The Last Voyage” and “First Time Thrill” brings the symphonic elements.
Interestingly “Silence” and “First Time Thrill” gives me this feeling of video games soundtrack, whereas the overall rhythmics of the album reminds me a lot of opening and ending credits of anime from the 80’s and 90’s, something I grew familiarized with some J-Rock bands like Make-Up (Saint Seiya) or Crystal King (Hokuto No Ken). In my knowledge there are two metal bands that are infused with such elements, one that I hate and one that I like: Baby-Metal and Dragonforce.
The band was recently touring with Queensryche and Armored Saint and unfortunately due to health reason I could not attend their concert in town. The consolation prize being for me their album. If you like video games, anime and metal give them a try. You will like it.

[Symphonic Metal] Thy Shade – The Last Goodbye (85%)

November ended and I was felt something was missing. There were some good releases: Mercy Isle, Metallica, The Agonist……They were good but still i did not found something that would break the chart to gain the album of the month.
I guessed at the 11th hour came an unexpected album, thanks to “Femmes du Metal” for bringing me this album.
This is the first album of Thy Shade, a US Symphonic Metal band from Denver, Colorado. Having a US Symphonic Metal band is always welcome as they are some rare birds. But also having a Symphonic Metal band that dont fall in the trap of the over-production and over-processing is rare nowadays.
This is the strength of this album, indeed flowing in the same than the Vivaldi Metal project by brining back the Symphonic to its root: the classic with a touch of metal. This is why I give this album the title “Album of the Month” for November.
It is a 11-tracks, 45 minutes album nicely done for a first album.
It first starts with a “Prelude” that sets the done of the album: very simple musical arrangement with guitar riffs a la Yngwie Malmsteen. It starts with “Change”, straight into symphonic metal tone yet not too much loaded. Something simple but not fluffy, allowing us to discover Diana Shade, a soprano singer. Nothing exceptional but starting slowly and crescendo. It is followed by “The Last Goodbye” a melancholic song that raises the bar in a higher level and let us appreciate Diana vocal range, making one of my favorite song of the album.
“Fantasy” is one of the few tracks that brings on the power-melodic, sounding much more metal than the previous title. A nice one but there are better songs awaiting. The masterpiece is certainly Adagio, inspired by “Adagio in G Minor” from Tomaso Albinioni,  having this feeling of the very classic Yngwie Malmsteen “Icarus Dream” to it. Simply majestic and really bringing the symphonic to the symphonic metal. Diane is sublime in this song. Note also the participation of  a tenor, a rare fact that need to be underlined.

“Final Chapter” brings back the power-metal into it, that is pleasant and engaging. Things slowdown again with “O Divine Redeemer”, another track surfing on the melancholic tones and allowing us to fully enjoy Diana’s vocals. “Dies Irae” is one the heaviest and surprisingly one song that disappointed because I was expecting to hear “Dies Irae” from Mozart as a main inspiration?
Finally the album concludes with “Bring Back The Light” that sounds just right for the holidays season, followed by “Innegiamo” and “Pie Jesu” giving the classical with a touch of metal.
In times where the symphonic metal genre is becoming oversaturated with sound-alike bands that bet on over-arragnemnt and production, Thy Shade “The Last Goodbye” is like a bowl of fresh air that brings the classical to the symphonic metal. What makes the symphonic so great is the perfect alloy of the beauty of the classical music blended with the heavy and roughness of the metal. If the US was looking for her national Tarja, Diana is certainly the perfect fit for that position. Simply majestic!