[Metal/Doom] Candlemass – Nightfall (30th Anniversary review)

Today marks the 30th anniversary of the release of Candlemass second album “Nightfall”, released a year after their seminal album “Epicus Doomicus Metallicus” and featuring Messiah Marcolin. It follows the same path set by their first album and further establish the basis of what will become the flagship band of classic doom metal. Considering the album was written, recorded and mixed within a year of their first album and simultaneously improved the quality of the song is in my opinion an impressive effort from the band.
It is a 10-track album spanning 46 minutes. We start with a melodic introduction named “Gothic Stone” that set the tone of the album: a bolder, heavier and more elaborated sound than “Epicus…”. Its only a ramp to introduce to the second track “The Well of Souls”. Messiah Marcolin nails again with his remarkable voice and putting into music the lyrics. The third track,”Codex Gigas” provides an instrumental interlude and a damn nice interlude allowing to enjoy the Candlemass sound by its own. “At The Gallows End”, the fourth track, is one of my favorite by the melodics, Messiah singing and the lyrics talking about death. “Samarithan” marks a step down but also a sound closer to what we call today modern doom by playing slow even in Candlemass standard.
“March Funebre” marks the second melodic interlude, providing a metal cover to the classic composition of funeral march, allowing to our introduction to “Dark Are The Veil Of Death”. A faster than usual Candlemass song, but still a nice a nice one.  “Mourners Lament” is instead sticking to the doom and one of my favorite, with its dark lyrics and Messiah’s voice. “Bewitched” is the only track that had an official video clip.

“Black Candles”, is the last track of the album, providing an instrumental epilogue to the album.
With this second album, Candlemass cemented the foundation of what we call today the doom metal genre, setting a milestone in the genealogy of the doom genre. It also settled for me Messiah Marcolin as Candlemass singer. Marcolin left the band after their fourth album but none of the singers that took over never reached the quality of Messiah.
If you want to enter the gloom of doom metal genre, Candlemass second album “Nightfall” should be in your itinerary before you decide to fork and head into stoner metal or into something much darker.

 

 

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[Metal/Doom] Hallatar – No Stars Upon The Bridge (95%)

Hallatar, a side project band former by Amorphis vocalist Tomi Joutsen, Swallow The Sun guitarist Juha Raivio and ex-HIM drummer Gas Lipstick released the tribute album “No Stars Upon The Bridge” to late metal singer Aleah Starbridge, band member of “Trees of Eternity” and partner in life to Juha.
What I can tell that after a year that we lost Aleah to cancer, the pain and sorrow is still present in the metal scene. Hallatar, through this album, is playing into a much more darker and black tone that any of the members usually play in their respective bands. These bands are already playing some fine doom, already heavy in dark and despair. Imagine achieving the most concentrate black tone you can from sadness, sorrow and pain. This is what this album is basically giving us: a very painful, sad and heart wrenching requiem to Aleah, using her own poems put into lyrics and offering into a majestic album that distillate some of the best spirits of all three bands into a masterpiece of modern doom metal.
The album is a 9-track album, a 40 minutes requiem that will shake your from deep in it, reviving some of these painful souvenirs of the lost ones. I am warning you, this is not for the fainted of heart. It is very depressing but so liberating and cathartic.
We start with “Mirrors” with the vocals of Tomi and the signature guitar tones of Juha (that gives this trademark to Swallow and Trees). Slow, doom and gloom, damn good funeral doom introductory track.

The interlude comes from hearing Aleah’s voice reciting her poem “Raven’s Song” (Track 2) and followed by “Melt”. Straight into the playbook from Swallow the Sun, Tomi’s clean voices allows us to fully appreciate the lyrics, accompanying us into the processing funeral march. “My Mistake”, the fourth track song, features Heike Langhans (Draconian) as guest lyrics and keep on into our funeral processing march. “Pieces”, the following track, provides an interlude with its solitary piano with Aleah’s poem haunting us. “Severed Eyes”, is in my opinion this kind of track that is made to heal and remember our dearest love ones that we lost by playing on the dry guitars and the simplicity. “The Maze” is a damn good funeral doom track, an amazing track by its ability to wrench your inner mind and rediscover these dark corners that often get buried into our lives. “Spiral Gate” is the last interlude of Aleah, leaving us with her last goodbye poem and nicely transitioning to the last track “Dreams Burn Down”, the concluding track of the album. Majestic piece of work, like a last farewell to the casket before the burial with Aleah haunting voice. You realize that as the casket is brought down and the first pile of dirt covers it that this is over. That the nightmare is not a nightmare anymore, it is the reality of life and we cannot reverse anything to it. It is time to give our farewell do our dearest love and remember it into our hearts and mind.
What I can say is rarely such an album, fruit of a collaboration of some of the finest doom/gothic Suomi (Finnish) metal bands, can shake someone inner psyche and let it tears the emotion apart. Yes, it is sad and depressing. Yes, it is dark and heart wrenching. But it is also a cathartic album allowing us to anyone listening to it to make the last grievance and keep in our mind the loss one of the most beautiful feminine metal voice we lost in the person of Aleah Starbridge. Rest in peace nightingale :(.

[Metal/Doom] Paradise Lost – Medusa (90%)

If you have been a long time follower, you surely have heard of the “Unholy Trinity” of doom (named after the record label) metaphorized under the UK doom metal bands Anathema, My Dying Bride and Paradise Lost. All three started very dark and heavy doom, only to evolve into their own artistic direction. As Anathema went more into the alternative scene, so did I drifted away from them. Paradise Lost, in my opinion more into death metal shores. They were bringing on the dark lyrics and blended in with the rage of death metal.
Then Paradise Lost came in with their 15th album “Medusa” last Friday. I don’t know if listening to the album alongside watching the very dark and pessismitic ending of “Twin Peaks: The Return”, it really left on me a very good impression by its heaviness and darkness, a sort of a return to their roots.
Lets go through the album, that is a 10-track (I guess this is the iTunes version) and lasting 52 minutes. We got into it with “Fearless Sky”, a majestic introduction sounding like the prologue of a funeral mass, with the growls and lyrics of Nick Holmes. Mind blown by it. Just read an excerpt of the lyrics:
Life’s contempt, a life of trial to unrest, vilified/I resent, morbid times so oppressed, soul divine/Lies torment, as I try to confess to a fearless sky“. The second track, “Gods Of Ancient” continues into the doom and gloom, is another gem of the album. The third track, “From The Gallows” brings up Greg Mackintosh melodics more upfront and damn I like Greg’s guitar composition. The fourth track, “The Longest Winter” is my opinion the track that brings up the influence of sludge reported by some reviewers but also showcasing the ease of Nick to sing both cleans and growls. Judge by yourself here.
https://youtu.be/ufs-kLZFyjU

“Medusa” welcomes us with a opening piano followed by the melodics on the guitar by Greg and by Nick Holmes vocals. Languishing and dark. “Passage for the Dead” is in my opinion the second track with a clear sludge tone to it. “Blood And Chaos” sounds more the modern Paradise Lost, this is also my least favorite one. No big deal, but yeah not really fond of. You can make your opinion on it since there is a official video on it:

“Until The Grave” continues into this more modern sound of Paradise Lost. Nice but not transcending either.

As a iTunes special edition, we have two extra tracks. “Shrines” is also a very nice song also harboring this heavy sludge metal influence in it. “Symbolic Virtue” concludes this album by bringing on the old and the heavy doom.

As the band slowly reaches the 30th anniversary of their formation, Paradise Lost show us that pain, sorrow and sadness never heal. That like Sisyphus, we are set fate to perpetually keep the sorrow of those who we have lost, of those we have broke our hearts on. Having a band that can maintain and reconnect to its roots while in the same explore new avenues (like sludge in this one) is in both times soothing and exciting. Brace myself, September is coming with a damn fine selection of great albums.

[Music/Metal] Happy 4th of July!

As living in the US, it is for me now part of the tradition to celebrate the 4th of July. Happy 4th of July! Time for me to share my favorite US metal bands that are in my disc library. This is my very personal list, so please don’t comment asking why I have not have a certain band in my list. There are likely two reasons: either they went under my radar or they simply did not click with me in terms of my musical taste. I have been running this redundant post for two years now, so I will spare you the blabla and let you jump to the list :). Here we go, sorted by alphabetical list:
* Aria Flame (ex-Dendura, MI) – Gothic Metal: https://www.facebook.com/ariaflameworld/
* Beyond Forgiveness (CO) – Gothic/Folk Metal. If you are looking for a US minstrels and troubadours having the vibes of medieval folk metal (something like a Blind Guardian or Haggard), this is your inn to stop on your journey: https://www.facebook.com/beyondforgivenessmetal/
* Destiny Beard (MI, PA) – Gothic Metal:https://www.facebook.com/Destinibeardmusic/
* The Ditch & The Delta (UT) – Sludge Metal: https://www.facebook.com/theditchandthedeltaslc/
* Evanescence (AR) – Gothic Rock: https://www.facebook.com/Evanescence/
* Exalt The Throne (TX) – Melodic Death, they are having their final gig on July 29th, I gonna miss them :(. https://www.facebook.com/exaltthethroneofficial/
* Faytree (GA, OH) – Melodic Death: https://www.facebook.com/faytreeband/
* In This Moment (CA) – Metalcore. Check their old stuff (first three albums), that was some promising band that unfortunately lost their vibe for few years now: https://www.facebook.com/officialinthismoment/
* Kamelot (FL) – Power Melodic Metal. Come on, should I introduce Kamelot? https://www.facebook.com/kamelotofficial/
* Mercy Isle (MI) – Gothic Metal. A very interesting US-Dutch collaboration, making them a sort of spinning free electron: https://www.facebook.com/MercyIsle/
* Metallica (CA) – Thrash Metal. Because who does not have a Metallica album in their disc library. 35 years and still running! https://www.facebook.com/Metallica/
* Midnight Eternal (NY) – Power Melodic Metal. What if Dragonforce and Nightwish had a child? Midnight Eternal would be its name: https://www.facebook.com/MidnightEternal/
* Red Beard Wall (TX) Sludge Metal. Ever wondered how doom metal would sound with a flavor of Southern music, with elements of punk and death metal? It has a name: sludge metal and my first exposure was through Red Beard Wall. It came out of nowhere like a meteor and crashed into the local metal scene in Yellow City. If you are living in the High Plains or South Plains, check them out: https://www.facebook.com/redbeardwall/
* Rozamov (MA) Sludge/Doom Metal. That was some of the best surprise this spring, allowing me to discover this sub-genre of doom metal blended with Southern tunes, punk and death metal. https://www.facebook.com/Rozamov/
* Santa Marta (UT) – Gothic Metal. The next project of Mary Zimmer (ex-Ottoman Empire/Luna Mortis, ex-The White Empress). Check it out and keep eye on it. https://www.facebook.com/SantaMartaBand/
* Scarlet Canary (CO) – Metal/Rock: https://www.facebook.com/ScarletCanary/
* Seven Kingdoms (FL) – Melodic Power Metal. There is something running in Florida water but it makes their Melodic Power Metal
* Slayer (CA) – Thrash Metal. Slayer still slaying, not even an ounce of their brutal tempo was left over the years. This is where I had to disagree on Floor Jansen, nothing beats a mosh pit or an album from Slayer as a catharsis vector. If you don’t know what to expect from Slayer, go attend one of their gigs with Lamb of God and Behemoth. Not for the choir singer though: https://www.facebook.com/slayer/
* Thyshade (CO) – Symphonic Metal. One of my discovery last winter and one of the best US soprano vocals: https://www.facebook.com/thyshadeofficial/

 

[Metal/Gothic Metal] The Gathering – Always (25th Anniversary Release)

Yesterday marked the 25th anniversary of The Gathering first album “Always”, released in June , 1992. I retrospectively discovered this album after being introduced to the band through “Mandylion”. It was their only doom metal album, with Bart Smits in the growl, but man that was my gateway to doom/gothic metal. And even 25 years later, it still have the freshness. It is a 48 minutes album, spanning over 8 tracks, nicely blending the guitars and the keyboards.
We got into it “The Mirrors Waters”, that has this distinctive keyboard tunes opening the track and bringing on the heaviness cloak of doom, rapidly introducing Bart growls. The second track, “Subzero”, brings a higher speed tone but never sacrifice the heaviness. The third track, “In Sickness And Health”, continues into the doom with an heavy influence of the keyboards. It is a nice one, but kind of a weak one too. “King for A Day”, wipes it out from your mind pretty quickly, imposing itself as my favorite track. Its starts heavy and doom to slowly transition into a progressive track with the keyboards leading the way and giving Marieke Groot (the female supporting vocal) a full opportunity to display her vocal performance.  With Barts hitting the low cleans and Marieke hitting the high notes, it gives this magic atmosphere.
The rest of the album continues in the doom tunes with “Second Sunrise” and “Stonegarden”, two enjoyable tracks. “Always” breaks the mold as an instrumental mostly played on the keyboards with backing drums, feeling you sailing boat ashore. “Gaya’s Dream”, the last track, concludes the album with the same tunes that most of the rest of the album.
Unfortunately, that was the only album from the band that was close from doom as it can be. Their second album was honestly a disaster, a hodge podge, an UFO in their discography. By “Mandylion”, their third album, and the introduction of Anneke in the band, the sound was deeply settled into Gothic and lasted for their next two albums. There is a reason why Sam Dunn (BangerTV) had The Gathering placed in the Gothic Metal family tree, and they rightfully belongs to it. They set the tone for European metal bands in that genre and surely set the way for female-fronted gothic metal bands. I personally think the Gathering did a major public service to Dutch metal bands, as few years following their release and touring, Dutch metal bands flourished as tulips bringing some of the best metal to hear (Within Temptation, After Forever, Epica…)
There are two versions of the album: the original recording (see the featured image) and a re-engineered version dubbed “Downfall – The Early Years”. Avoid the latter one as the plague. The goal of a re-engineering is to improve the original master to a higher quality. Seems that the sound engineer behind that thought otherwise, resulting in a sort of washing machine sounds that in my opinion slash the original tracks.
Otherwise, if you want to hear some influential bands in the European Gothic Metal and like to explore some metal history, you should grab a copy and listen. A pleasurable experience to listen.

[Metal/Doom] Trees Of Eternity – Hour Of The Nightingale

I wish I could have reviewed this album in a better context, but I also wanted to review this album in the memory of late Aleah Stanbridge. Aleah left us that day last year, leaving us orphan with her only album “Hour of The Nightingale”.

I started to know Aleah only after learning her death from the announcement by Juha Raivio (Swallow The Sun) last year. Sadness and tears came by listening to her ethereal  and melancholic voice, perfectly matching to the gothic and doom metal artistic style harbored by the album.

“Hour Of The Nightingale” is a 10-track album totaling 63 minutes of beautiful doom metal tracks. The album starts with “My Requiem” introducing us to Aleah’s voice and to familiar tunes, as Juha from Swallow The Sun collaborated heavily on this album, among other Finnish metal artists. It is minimal but so heavily laden with emotions through the lyrics that it infuses you with the melancholy of nostalgia. The descent in the melancholy continues with “Eye Of The Night”, “Condemned To Silence”.

“A Million Tears” brings on the doom and the gloom, making it one of my favorite. Melancholic tunes, the ethereal voice of Aleah and the lyrics loaded with sadness and full of sorrow, making it hard to keep on your tears. It wrenches your mind and makes the mourning even more painful, even after a year.

“Hour of the Nightingale” and “Broken Mirror” may sound a bit more cheerful, with a touch of sludge metal (a sub-genre in the doom metal involving an infusion of Southern metal)  in it but it is still loaded with emotions.

“Black Ocean” gives this atmospheric doom tunes that providing a soothing moment, with a remarkable instrumentation and melodics. Finally, the album closes with “Sinking Ships”, leaving us ashore with a melancholic ballad and with “Gallows Bird” featuring Nick Holmes (Paradise Lost). Minimalistic but so powerful, making a perfect bond between one pillar of Gothic/Doom metal and a new generation.

It is a remarkable and flawless album, solid as a granite tombstone, with no imperfections. Considering this was her first album, it was a remarkable piece of artwork that very few artists could master at this stage. There is no filler, there is no weak tracks. All tracks are remarkable, yet each of them with the unique identity but all sharing the same converging point: the sadness, the melancholy and the mourning of loosing our dearest.

Aleah left us taken by cancer, roughly in the same time that one of my beloved uncle also got taken away by the same type of disease (very unlikely the same type of cancer, but from the metastatic cancer cells that have spread inside his body). We came far with our fight against cancers (because each cancer is somehow unique) but we are still far over on winning that war. Until then, we will loose more talented and affectionate people from it.

RIP Aleah 😦

[Metal/Gothic Metal] Within Temptation – Enter (20th Anniversary Release)

Today marks the 20th anniversary release of the first album of the Dutch Gothic/Symphonic Metal band Within Temptation.
What I can tell is after all these years, this remains my most favorite album by the band. Why?
Probably this perfect blend of doom, gothic with a pinch of symphonic metal and of course Sharon Den Adel alias “Angel Voice”.  It may also because it was the heaviest album they had in their whole discography. The album is an 8-track album totaling 46 minutes.
It starts with “Restless”, a minimal but nicely starter allowing to appreciate Sharon’s voice. A classic of all WT song. The second track, “Enter”, brings on the heavy guitars, Robert Westerholt growls and Martijn Westerholt (Delain) on the keyboards. This gives this magic formula that makes “Enter” such a good song, giving this magical and gothic feel. The third track continues in distilling this magic “Pearls of Light” with Sharon taking the lead with the sounds of the harp. Listening to this song brings this soothing relief, followed by the lead guitars smashing the heavy tones into it and giving this bipolar tunes between the heavy from the guitars and the lightness of the keyboard.
“Deep Within”, the fourth track is in the continuation of the tone of the whole album. Nice but I always felt it was the weakest of all songs, considering the whole album standing strong like a rock. “Gatekeeper”, the fifth track of the album, is my favorite of all. Heavily gothic and influenced by elements of doom metal, it is dark and gloomy with a crescendo in the instrumentation slowly adding the heaviness and boldness. I lost my voice each time I try to keep on Sharon’s frequency notes.
“Grace” is another good song (Nº6 song), especially the second half of it as Sharon takes on the main part. It is also reflecting the heavy influence of Kate Bush on Sharon singing style, using the same song dynamics than the latter used to. “Blooded” is the instrumental track of the album, a finely arranged piece that really marked the band with their signature. “Candles”, the last track, is another jewel from the album by keeping the same flow of “Gatekeeper”. It is so beautiful to listen, with its melancholic tones and Sharon soothing voice all over, only to get shaken by the heavy guitars and Robert’s growl.
If I had to go to exile with only one album from my favorite bands, this is the album I would take from Within Temptation without an hesitation. This is where I found they had their best blend and musical style before they sailed into other directions that were not following my ears.
My only wish is as we mark the 20th anniversary of that release is that the band decide to rediscover this rich and engaging style that made them at the frontier of the symphonic metal scene.