[Metal/Symphonic] Whyzdom – As Time Turns To Dust (85%)

Whyzdom (probably the best French Symphonic Metal band IMO), after three years of waiting, released their fourth album “As Time Turns To Dust”. So, how does this album stands and compare to their previous releases? I would say unique and similar at the same time (for some reasons it reminded at times of their second album “Blind?”, propelled by Vince Leff at the helm and by Marie McLeod at the front.
We have in hand a 9-tracks song with 58 minutes of pure enchantment Whyzdom-style. It all starts with “Armour of Dust”, introducing us in a Hans Zimmer’s style “a la Dark Knight” followed by some classic Whyzdom. The second track, “Armageddon” is surprisingly not really my favorite despite being heavy. I don’t know why I dont really click on that one. “Fly Away”, is a good track but still missing something to make me all excited about. “The Page” is probably my favorite starting with a guitar solo and Marie, going crescendo and becoming more and more complex until you reach a paroxysmal euphoria. Thats the kind of auditive cues that make you limbic system overstimulated. “Follow Your Heart”, the 5th track of the album, has this Epica feeling that is making it very attractive. “Angel of Tears” is a good one, starting with the Celtic vibes and very dynamic. “Free As a Bird” is for some reasons reminding me of “Cassandra”. “The Mistchild” has this feeling of proximity of “Blind?”.  The last track, “Dust We Are”, is good but I have experienced more enjoyment in tracks of their previous album.
Overall the album is good, but I feel there was something missing. I really worked hard on this album by listening at least five times before writing my critique. I did not feel the shock and awe that I have with “Tears of a Hopeless God”, I don’t why. The album is good, but it was not giving me the thrills that would make it “an amazing experience”. Maybe it is just me becoming an old schmuck.
Anyway, the album is a good one and if you are looking for some new sounds in the Symphonic that is not from the four Valkyries of the Symphonic Metal, you should definitely try Whyzdom and feel what the French touch sounds like when they tamper with Symphonic Metal, something unique.

Advertisements

[Metal/Symphonic] Whyzdom – Armaggedon (Official Video)

Whyzdom, in my opinion the best French symphonic metal band as of today, is slowly but surely bringing their fourth album “As Times Turns To Dust” is teasing us with their first title named “Armageddon”. The album is expected to hit record stores on April 6th.

[Metal/Symphonic] Therion – Beloved Antichrist (90%)

If you have been in the metal scene, the name of Therion should sound familiar to you. Therion is a kind of unique metal band, always in the avant-garde and always in a constant rethinking of their artistic direction, following their inspiration. They compose and perform albums that follow their interest without worrying to irate their hardcore fanbase. With Therion, each album is a discovery by its own unable to predict from the previous albums. And most of the time, they deliver an outstanding piece of work.
And again Therion strikes hard with their album “Beloved Antichrist”. A 3-CD album totaling over 3 hours and playing like an opera metal with an amazing vocal performance. This is an album I cannot review as I would because of its size (46 tracks and 3 hours) but also because of its almost perfection. You could have this album put into an opera performance and people would give you a hard time that this is a metal band behind this masterpiece. I will point my favorite tracks.
“Through Dust, Through Rain” (Track 3), “What Is Wrong?” (Track 16), “Forgive Me” (Track 35) oh my! Who’s the lead female vocalists behind these tracks? It is so beautiful.
“Never Again” (Track 5), “Night Reborn” (Track 20), “Curse of The Fallen” (Track 28), “Astral Sophia” (Track 31) some of the heavy tracks albums reminding me some of the previous Therion work. This is what Therion is so unique, reminding us their quintessence in blending metal and opera-quality vocals.
“The Solid Black Beyond”, “The Crowing of Splendour” (Track 7 and 8), “Pledging Loyalty” (Track 19), “To Where I Weep” (Track 30), “Rise To War” (Track 40). This is some classical composition, oh this is heaven to ears!
“Anthem” (Track 12), “Theme Of Antichrist” (Track 46), a perfect blending of classical opera with heavy metal melodics.
Without doubt, Therion overachieved themselves by producing the longest album (3CDs lasting over 3 hours), a pure marvel of opera metal with quality opera male and female vocals. Such a perfect musical arrangement you could imagine such album put in motion on a stage performance. Definitely if you have to pick an album for February, this was the one you had to pick!

 

[Metal/Gothic] Beyond Forgiveness – The Great Wall (80%)

US metal bands playing Gothic Metal or Symphonic Metal are fairly rare birds, in contrast to Europe in which I found the market on the verge to precipitate. Beyond Forgiveness (Colorado Springs, CO) is one of these band that attracted me attention with their EP “The Ferryman’s Shore” and released a couple of weeks ago their first album “The Great Wall”.
How does it fare for a first album? It fares very well, navigating into the current of gothic, symphonic and folk metal keeping upmost of the musical composition “hand-crafted” (in others not over-relying on the keyboards and the studio processing). The result is very pleasant, maybe lacking some ambitious songs that hook you on, but a very nice escaping album that result me in calling the band some metal “troubadours” telling tales, fables and fiends straight out of the middle ages.
This is an album spanning over 10 tracks spanning over 58 minutes. The good point is all the stuff inside are all original materials, no rearrangement of existing materials from their previous EP and singles.
We get into it by the “End of Times”, their first track. It is setting the tones: some good classic metal tones, from the early days of gothic and symphonic metal. Personally, I like that especially considering that a lot of new comers playing the “symphonic” card abuse and overuse the keyboards and post-processing. We quickly transition into the second track and third tracks “The Great Wall” and “Sanctuary”. Good stuff so far. “Imprisoned” fare into more the symphonic metal than the previous track.
“Interlude”, an instrumental melodic ballad track gives the rest of the wandering bard, very nice interlude allowing to appreciate the guitar plays from Richard and Greg. This interlude track also announce a transition in the album, towards a more symphonic type of tone. Whereas “Moment of Truth” sounds more like the first half of the album, “Never Before” has this kind of old-style Nightwish style into it that is not bad. “Dream Before I sleep” is what I call an acoustic track with the voice of Talia accompanied mainly by a piano solo. Good. “I will fight Till The End” brings back the heaviness, just for this track as the last track “Every Breath” brings it more a folk feeling to the music.
Overall the album is quite good but I failed to find something to hook me on. Usually I have one or two “must-listen” song in an album but not this time. The album is very homogenous, maybe a bit too much. Something is still missing to make it a great, I don’t know something bold.
Nevertheless, it is a good starter, give a try and if you like your metal seasoned into some old school gothic and symphonic, give these guys a try, their album is available on Bandcamp and iTunes.

[Metal/Symphonic] Nightwish – Angels Fall First (20th Anniversary)

Today marks the 20th of the release of the Finnish Symphonic Metal band Nightwish “Angels Fall First”. It is interesting to think that for some reason Tuomas does not consider it as their first album. Sure, it had a limited release, mostly in Finland, but I still consider as their first album.
It is interesting to listen back to this album in its retrospection. It is an 11-track album, lasting a 67 minutes. Coming back from that day, the first thing that comes into the attention is the use of keyboards elements wrapping the guitar riffs. But foremost, it is Tarja that brings on the attention. In my knowledge (and I maybe wrong on this one), this is the first instance of the presence of a trained of a professionally trained mezzo-soprano. Sure, femal-fronted metal bands were already here including in gothic metal bands like The Gathering.
It starts with “The Elvenpath” setting the tone, with excerpt quotes from the 1978 cartoon movie “The Lord of The Rings”. The second track, “Beauty & The Beast” somehow sounds like more Nightwish as we know it today, in which Tuomas keyboards lead the charge. A 10:22 track of some awesomeness in the blend of the instrumental symphonic elements with the guitars melodics played by Empuu. Thats it, the prototypical symphonic metal track that surely inspired many to also experiment the same in their studio. You can take anyone in a blind test, ask him or her the band behind the song and get “Nightwish” cited most of the time. I discovered this album much later than the release, but I can imagine the reaction folks had back then. “The Carpenter”, third track of the album is more in line with gothic metal elements, sounding more familiar. It is also the first track of the album featuring Tuomas in the vocals. I guess there is a reason Tuomas hates this album and also why he does not sing in the other albums :p. It’s okay but yeah kind of a let down from “Beauty & The Beast”. Just listen here.
https://youtu.be/Z4A5HwMOfW8

“Astral Romance” brings up the album to a higher level, that is another favorite in my playlist, some good old Nightwish here (I somehow prefer these kind of outdated tunes from their most recent albums). “Angel Fall First”, the fifth track, is somehow introducing us to the powerful keyboard ballads that Tuomas will produce later in his career. Again, Tarja’s voice is magnificent even in her beginning career. “Tutankhamen” brings the metal kick back in, making it very enjoyable. Again, I could serve it into a blind playlist and someone would swear this track is part of their later album. “Nymphomaniac Fantasia” is a nice one too, but maybe a bit “cheap” in my opinion. “Know Why The Nightingale” is another good one from the album.

“Lappi (Lappland)” is the only Finnish song but oh boy, I can guarantee a lots of headbangers rushed to a Suomi dictionary to understand the lyrics. But who cares? You don’t need to understand it to feel the beautiful in this song. Again, it hints us about the whiz inside Tuomas in handling the keyboards, much more at ease than singing. Some damn good old Nightwish!

The album concludes with “Return To The Sea” inspired by gothic elements and finally “Once Upon A Troubadour”, that is honestly not much my favorite. Blame it on Tuomas or not, I don’t know just not that fond.

[Metal/Symphonic Metal] Epica – The Solace System (EP)

September is coming. Back to school! Back to album reviews! A lot of albums are pointing their nose for this month: Paradise Lost, Arch Enemy…..
Epica just released their 6-track EP “The Solace System”, coinciding with the release of “The Holographic Principle” a year ago. As usual, Mark Jansen master craft almost every single Epica album, spoiling us like we would get spoiled on a Rembrandt painting.
The EP starts with “The Solace System”, straight outta of their previous album. Not much blabbering, just watch their official video:

We keep on the pace with “Fight Your Demons”, a track that feel so “The Holographic Principle” that for some reasons did not make the cut in the final iteration of the album. The third track “Architect Of Light”, in my opinion brings on the good old “The Quantum Enigma” in mind. The fourth track, “Wheel of Destiny” brings back on the nervous and fast-paced tunes. “Immortal Melancholy” comes in abruptly by its much more softening vibes. Purely acoustic, it is also worth to read the story behind this song (http://www.blabbermouth.net/news/epica-releases-video-for-immortal-melancholy/). Listen to it here below:

Finally, “Decoded Poetry” is the last track of the EP. Nice but not really my favorite. If you really liked “The Holographic Principle”, you should get this EP it is a kind of a nice addition to it. I wish however that such songs were included de facto in their previous album, in place of their acoustic cover that was in iTunes.

[Metal] Headbang local! Some hometown local metal albums I bought

Following my attendance of the scientific meeting in Paris, I headed back to my hometown (Strasbourg, France) for 48 hours before heading back in the US, taking advantage of an upcoming weekend to see my family.
I also took advantage for some shopping (in addition of the traditional gift shopping and souvenirs) to support the local record store (l’okaz de l’uncle Tom), one of the oldest and most favorite record store in town (that was my first experience going downtown with my brother when I was 10-11, bought my first AC/DC and ZZtop tapes from them). One of the niceties of the store is their decent selection of metal albums but what I really liked was their shelf dedicated for the local and national metal scene.
If you are a stoner, you may have heard about “Bull Terrier” that is a local stoner doom band. Not really much into stoner so I skipped it. But I found some interesting nuggets in my disc hunting.
The first was “Darkest Hours” from Khaelys, a local symphonic metal band original fronted by Kenza Rafi. This was their first of their two albums, released in 2009. I really liked it, probably because of the gothic atmosphere and the very simple but enjoying sound, not drowned over keyboards and studio processing. Although Kenza’s vocals were not the level of a mezzo-soprano, her voice remembered me a lot of the one from Jamie-Lee Smit (Azylya). Sad to also discover that the band disbanded in 2015, according to their Facebook page.

pochette_darkest_hours

The second album I purchased was “Unleash Your Wrath” by Bloody Pride, a melodic death metal band. I am not a big fan of death metal, but I enjoy some good melodic death metal from time to time. Nice album, nice tunes. The band has apparently a Bandcamp site, you should give them a try if you are looking for good French melodic death bands.
a0691128043_10

Finally, the last album was rather a compilation playing on the word “Elsass” (the name of the region as cited in the local German dialect) morphed into “Hell’s Ass”. It’s an old compilation (2005), so I assume most of the bands have likely disbanded or went into a hiatus. It is a bit of a hodge-podge of different artists and different genres, a sort of melting pot that give you a glimpse on how the local scene was vibrant back then. I wonder how the scene stands right now.