ortexAfter several years of hiatus, Amy Lee and Evanescence broke their silence by releasing “Synthesis”, an album providing a re-orchestration of their previous songs. Amy dropped the guitars and the drums to let place to other instruments. Amy is already gifted by a beautiful voice and a talent to play piano. When Evanescence mixed her voice with her piano melodics, this is where my auditory and limbic system explode into a serendipity.
Evanescence played a sort of gateway for me to explore the symphonic metal genre (this is how I got introduced to Nightwish and Within Temptation) but never went fully symphonic. How does the album stands without metal riffs and drums?
It stands good, some songs are impressive by their intimacy and their simpleness, some are kind of a disappointment. Let’s go through together the 16-tracks spanning a bit more than 63 minutes.
We start with “Overture”, an instrumental opening track that introduce us to the piano and violin tones that are the trademark of the album. The first track is the cover of “Never Go Back” from their third album “Evanescence”. Listening to the piano opening sequence is just a thrill on the skin, giving me some goosebumps. This is an example of a successful cover by its ability to remove the heaviness of the original and still sounds so wonderful to the ears. The third track, “Hi-Lo”, was one track that was initially planned to be in “Evanescence” but was not retained. As is it is, it is such a beautiful and intimate song that makes you wonder how it would have sounded in its metal version.
In the opposite, “My Heart is Broken” (the 4th track) sounds much better in its original cover because it already provided such a wonderful blend of the metal, piano and Amy’s voice. The 5th and 6th tracks were sounding as good as the original cover are “Lacrymosa” (The Open Door), “The End of The Dream” (Evanescence).
“Unraveling”, the 7th track posing as an instrumental and melancholic piano solo interlude is sounding so beautiful by its own.
“Imaginary”, the 8th track, is one of the biggest disappointment. The original one, already present in their EP “Origin” was simply perfect as it was, a perfect blend of Amy musical and vocal performance with the heaviness. It was one of my favorite of “Fallen”. This cover just axed it and fail to give justice. What the heck Amy on that one?
“Secret Door” is as good as the original one. Both were instrumental in their conception, very light and sober so they are very comparable. Some of the finest compositions of the band and kind of make you wish they pursued into the direction of Within Temptation or Nightwish. “Lithium”, another of my favorite from “Fallen”, also received the good treatment even amplifying the beauty of the original version.
“Lost in Paradise”, the 12th track, is another failed attempt and liked the original more than the cover in this one. “Your Star”, contrasts and shows how a cover can give back some justice to a track often went unnoticed in the original album (The Open Door).
Track 14, “My Immortal” is the litmus test. I have listened to two versions of the track back in the days: the radio edit version that was heavy and one bootleg downloaded from P2P (Kazaa or eDonkey, I don’t remember) that had the instrumental segment purely on the piano. The cover one revives the bootleg ones, embellishing it and making it even better. Damn, I wished this track and “Bring Me to Life” were not appended to the cinematic turd called “Daredevil”.
“The In-Between” is a piano solo new song written for the album. Oh my! Such a delight of listening Amy playing the piano on this one and emphasize the grave notes giving this melancholic feel to the song. Nobody plays the piano in the metal scene than Amy.
“Imperfection”, the last track is the last “meh” on that album. Not a big fan of it, sounds like a mishmash of styles that makes in my opinion an undigestible thing to listen.Be a judge by yourself you can listen to it below.
Now I am really mad and disappointed i missed on the latest Evanescence tour (due to scheduling conflict) because after 15 years and the loss of Ben after “Fallen”, Evanescence still stand strong of its feet and really should explore some facets of the symphonic metal. A recent meet and greet between Amy and Simone Simons (Epica) could open up some collaboration, especially with some input from Mark.