[Metal/Doom] Paradise Lost – Medusa (90%)

If you have been a long time follower, you surely have heard of the “Unholy Trinity” of doom (named after the record label) metaphorized under the UK doom metal bands Anathema, My Dying Bride and Paradise Lost. All three started very dark and heavy doom, only to evolve into their own artistic direction. As Anathema went more into the alternative scene, so did I drifted away from them. Paradise Lost, in my opinion more into death metal shores. They were bringing on the dark lyrics and blended in with the rage of death metal.
Then Paradise Lost came in with their 15th album “Medusa” last Friday. I don’t know if listening to the album alongside watching the very dark and pessismitic ending of “Twin Peaks: The Return”, it really left on me a very good impression by its heaviness and darkness, a sort of a return to their roots.
Lets go through the album, that is a 10-track (I guess this is the iTunes version) and lasting 52 minutes. We got into it with “Fearless Sky”, a majestic introduction sounding like the prologue of a funeral mass, with the growls and lyrics of Nick Holmes. Mind blown by it. Just read an excerpt of the lyrics:
Life’s contempt, a life of trial to unrest, vilified/I resent, morbid times so oppressed, soul divine/Lies torment, as I try to confess to a fearless sky“. The second track, “Gods Of Ancient” continues into the doom and gloom, is another gem of the album. The third track, “From The Gallows” brings up Greg Mackintosh melodics more upfront and damn I like Greg’s guitar composition. The fourth track, “The Longest Winter” is my opinion the track that brings up the influence of sludge reported by some reviewers but also showcasing the ease of Nick to sing both cleans and growls. Judge by yourself here.
https://youtu.be/ufs-kLZFyjU

“Medusa” welcomes us with a opening piano followed by the melodics on the guitar by Greg and by Nick Holmes vocals. Languishing and dark. “Passage for the Dead” is in my opinion the second track with a clear sludge tone to it. “Blood And Chaos” sounds more the modern Paradise Lost, this is also my least favorite one. No big deal, but yeah not really fond of. You can make your opinion on it since there is a official video on it:

“Until The Grave” continues into this more modern sound of Paradise Lost. Nice but not transcending either.

As a iTunes special edition, we have two extra tracks. “Shrines” is also a very nice song also harboring this heavy sludge metal influence in it. “Symbolic Virtue” concludes this album by bringing on the old and the heavy doom.

As the band slowly reaches the 30th anniversary of their formation, Paradise Lost show us that pain, sorrow and sadness never heal. That like Sisyphus, we are set fate to perpetually keep the sorrow of those who we have lost, of those we have broke our hearts on. Having a band that can maintain and reconnect to its roots while in the same explore new avenues (like sludge in this one) is in both times soothing and exciting. Brace myself, September is coming with a damn fine selection of great albums.

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[Music/Gothic Metal] Seven Spires – Solveig (80%)

Fresh from the press, a band that came out of nowhere in my disc library: Seven Spires, a FFM band from Boston, Massachusetts. Their first album “Solveig” was released this Friday and of course it ends up being reviewed by me. I have been listening several times, interrupted by the livestream of “Wacken Open Air 2017” (thats very nice from the organizers to have a livestream of the main line-up).
This is a 15-track album, lasting 75 minutes. iTunes classified it as death metal/black metal and fairly I disagree with it. Because this album does not fit in one category. It is definitely metal but explores different facets with some gothic, some symphonic, some even sounding like some black symphonic a la “Dimmu Borgir”. So yes, it is a very schizophrenic album but it also a kind of a good showcase for Adrienne Cowan, allowing her to hear her vocal range from clean to growls.
We get into “The Siren” an introduction that really sounds like a Danny Elfman track, you know something like straight from a gothic ambience of a “Nightmare Before Christmas”. It seamlessly brings to “Encounter” blending this Elfman tunes with heavy riffs. Good stuff, really gives you a good grip on the ride. Some fresh air, it has a been a while we did not hear a good gothic metal band and Seven Spires is kind of baiting with that appeal. Then we move to “The Siren (Reprise)” that rather sounds like a revisited opening sequence for “Encounter”. I found it odd to have right in the third track, I would have put as a bonus track. The fourth “Cabaret of Dreams”, sounds a bit more rock giving this kind of abruptness in the ride. Certainly not my favorite. “Choices” sets the train back on its track, brining on some symphonic elements with a heavier tone. A very engaging song that should have been in my opinion right after “Encounter”. “Closure” continues into this very enjoying emotional riding experience, with a slower tone supported by orchestral arrangements and maybe an annoying presence of the bass guitar. Thats one thing I noted, the presence of the bass was too much accentuated in this album. I know the bass player has bad rep but the bass is part of the background unless you are Iron Maiden or Lemmy Kilmister. “100 days” is this nice melodic ballad giving a nice interlude in the album, right in the middle of the album. “Stay” brings us a power melodic tone that is very engaging, a good one. “The Paradox” brings us for the first time Adrienne on the growls into this track that brings on the excitement of a symphonic black metal straight out of a good “Dimmu Borgir” album. You know this kind of track that put your auditive and limbic cortices into fritz, with this rush of dopamine that wants to mosh into your living room by this brutal riffs blended with awesome melodics. Oh yeah! Thats my favorite! This is kind of a title that tells you this band with the right direction that breaks some charts. “Serenity” is falling into more conventional genres, even sounding like metal core. “Depths” brings us back to calmer tracks, a nice one, something similar to the chords of Alissa or Vicky style encountered in “The Agonist”. “Distant Lights” brings on the melodic power metal. Nice but nothing that impressed me. “Burn”, brings on back this “Dimmu Borgir” feels with a good spoon of power metal, sending again into a rollercoaster ride from Hell.  “Ashes” brings on this what I call “anime metal”. Dont ask me why, but this is the kind of metal that would match very well with a opening sequence of an anime. Nice! “Reflections” brings back the orchestral sounding like a ending sequence.
The overall album is good, pretty good. But it kind of misses the overall excitement that some other albums have sparked in the previous months. Maybe it is this mix of different styles and some questionable tracks. Sometimes, lesser is better.
However, this album is a great showcase of Adrienne’s vocal range and ability to sing both in clean and growls. The band also have shown its comfort in playing in different styles with ease. But lets be honest, Seven Spires enters a market highly competitive, especially if they think to take the Symphonic metal direction. Right now, melodic death and power metal are very good niches for entering FFMs. Really, their black symphonic metal composition of “The Paradox” and “Burn” really felt taking a rollercoaster from Hell, giving the thrills and chills of an adrenaline rush only to kick in the endorphins at the end of the ride, sending you in this musical euphoria.

[Music/Metal] Happy 4th of July!

As living in the US, it is for me now part of the tradition to celebrate the 4th of July. Happy 4th of July! Time for me to share my favorite US metal bands that are in my disc library. This is my very personal list, so please don’t comment asking why I have not have a certain band in my list. There are likely two reasons: either they went under my radar or they simply did not click with me in terms of my musical taste. I have been running this redundant post for two years now, so I will spare you the blabla and let you jump to the list :). Here we go, sorted by alphabetical list:
* Aria Flame (ex-Dendura, MI) – Gothic Metal: https://www.facebook.com/ariaflameworld/
* Beyond Forgiveness (CO) – Gothic/Folk Metal. If you are looking for a US minstrels and troubadours having the vibes of medieval folk metal (something like a Blind Guardian or Haggard), this is your inn to stop on your journey: https://www.facebook.com/beyondforgivenessmetal/
* Destiny Beard (MI, PA) – Gothic Metal:https://www.facebook.com/Destinibeardmusic/
* The Ditch & The Delta (UT) – Sludge Metal: https://www.facebook.com/theditchandthedeltaslc/
* Evanescence (AR) – Gothic Rock: https://www.facebook.com/Evanescence/
* Exalt The Throne (TX) – Melodic Death, they are having their final gig on July 29th, I gonna miss them :(. https://www.facebook.com/exaltthethroneofficial/
* Faytree (GA, OH) – Melodic Death: https://www.facebook.com/faytreeband/
* In This Moment (CA) – Metalcore. Check their old stuff (first three albums), that was some promising band that unfortunately lost their vibe for few years now: https://www.facebook.com/officialinthismoment/
* Kamelot (FL) – Power Melodic Metal. Come on, should I introduce Kamelot? https://www.facebook.com/kamelotofficial/
* Mercy Isle (MI) – Gothic Metal. A very interesting US-Dutch collaboration, making them a sort of spinning free electron: https://www.facebook.com/MercyIsle/
* Metallica (CA) – Thrash Metal. Because who does not have a Metallica album in their disc library. 35 years and still running! https://www.facebook.com/Metallica/
* Midnight Eternal (NY) – Power Melodic Metal. What if Dragonforce and Nightwish had a child? Midnight Eternal would be its name: https://www.facebook.com/MidnightEternal/
* Red Beard Wall (TX) Sludge Metal. Ever wondered how doom metal would sound with a flavor of Southern music, with elements of punk and death metal? It has a name: sludge metal and my first exposure was through Red Beard Wall. It came out of nowhere like a meteor and crashed into the local metal scene in Yellow City. If you are living in the High Plains or South Plains, check them out: https://www.facebook.com/redbeardwall/
* Rozamov (MA) Sludge/Doom Metal. That was some of the best surprise this spring, allowing me to discover this sub-genre of doom metal blended with Southern tunes, punk and death metal. https://www.facebook.com/Rozamov/
* Santa Marta (UT) – Gothic Metal. The next project of Mary Zimmer (ex-Ottoman Empire/Luna Mortis, ex-The White Empress). Check it out and keep eye on it. https://www.facebook.com/SantaMartaBand/
* Scarlet Canary (CO) – Metal/Rock: https://www.facebook.com/ScarletCanary/
* Seven Kingdoms (FL) – Melodic Power Metal. There is something running in Florida water but it makes their Melodic Power Metal
* Slayer (CA) – Thrash Metal. Slayer still slaying, not even an ounce of their brutal tempo was left over the years. This is where I had to disagree on Floor Jansen, nothing beats a mosh pit or an album from Slayer as a catharsis vector. If you don’t know what to expect from Slayer, go attend one of their gigs with Lamb of God and Behemoth. Not for the choir singer though: https://www.facebook.com/slayer/
* Thyshade (CO) – Symphonic Metal. One of my discovery last winter and one of the best US soprano vocals: https://www.facebook.com/thyshadeofficial/

 

[Videogames/Metal] Brutal Legend – XB360 (80%)

Sometimes you never know what you can find in a Gamestop “dumpster” (you know the $5 or less /$20 or less games holding on some cardobard shelves). One was Brutal Legend. I had my eyes on when I have played once the demo downloaded from Xbox Live. I really liked it for two reasons:
Firstly,  it was a game heavily influenced by metal and there are very few that come in mind. I still remember the attempt of Motley Crue to cash on Crueball on Genesis (a pinball-based game, also used by Kiss in one of these PC budget games), Motorhead on Amiga/Atari ST (a beat-them up developed by Ocean somewhere in 1992) or Iron Maiden Ed Hunter featuring Eddie in a kind of “Operation Wolf” game.
Secondly,  for what seemed a cool storyline. The story features Eddie Riggs, a “roadie” setting up the stage for a rock band called Kabbage Boy, lets say Eddie is rightfully not fond of his performance. As Eddie sets stage, a element of the stage falls on directly aiming one of the band member. Eddie jumps to his rescue only to get crushed by the scenery element. Eddie wakes up in a complete strange world, directly taken from some of the best heavy metal album artworks. Here Eddie becomes an anti-hero fighting demons with his mighty axe and his guitar riffs.
After playing back-and-forth with the game during the last month, I finally finished it up tonight. There are the good, the very good and the very annoying part of the game.
The good thing about the game is its very high fidelity of the game towards the material it got inspired by. It is heavy metal at its finest with the contribution of kings of the genre   appearing as cameos such as Ozzy Osbourne (Black Sabbath/Ozzy Osbourne,appearing as the guardian of metal, the shop to go to upgrade your weapons and your car), Rob Halford (Judas Priest, posing as the Fire Baron), Lemmy Kilmister (Motorhead, the bass-playing Kill Master), Lita Ford (presented as Lita, one leader of the human resistance)……
The second good thing (if you ignore the annoying part) is this semi-open space allowing you to drive through the heavy metal hell, ramming through the wildlife and allowing you to complete some side quests and unlock some uniqueness (monuments, dragons…..) that will buildup your combat skills.
Then comes the very good part: the storyline and the damn good playlist. The storyline is simply awesome as you end up fighting hordes of glam/hair metal villains, with the stereotype of the hair metal bands that flourished in the 80s, followed by a dive into the depressive doom and gloom of gothic/doom metal genre (with some of the best enemies to fight, straight out of a Tim Burton mind) and finally a quick insight into industrial metal (at the very end). For most of these, you have a remarkable playlists of metal bands that perfectly match the missions: fighting off glam metal troops with Motley Crue “Dr. Feelgood”, only to escape the crumbling White Lion palace through the soundtrack of of the UK powermetal band Drangonforce “Through the Fire and The Flames”. Just playing this part of the game in which you are slaloming between dragons breaking bridges and blocking roads with that blowing in the background music worth its amount of pesos. It is not one, but over 100 songs in that playlist that you can play through driving in the metal Hell, something very similar to a GTA game. Some of the best and most versatile metal playlist I have ever heard into a video game: Dragonforce, Judas Priest, Motorhead, Scorpions, Motley Crue, Carcass, Dimmu Borgir, Accept, Megadeath…..
Just for that the game worth the purchase.
Now comes the very annoying part of the game: the simile-RTS game sequence. At some point in the game, you will be asked to play a sort of real-time strategy game (you know the type of Dune II, Command & Conquer, Warcraft…), in a very primitive form, using the metal as a source: The stage being your main base/barracks; the march store towers being the source of energy to harvest and troops from the basic headbangers grunt to the juggernaut unit capable to blast off towers. The idea is great, the put into practice? Meh…….it felt more than a pain than anything else as you have to go back and forth to get to the units. The other thing that also made me quit the game halfway is that mission in which you have to capture wild feral cats (looking as KISS-like panthers) by circling them with a circle of fire. The controls were just terrible and makes you really want to give up. As a sidenote, the presence of redudant sidequest (ambush enemies, defend your tower, race against the same foe) felt like a lot of deja-vu. You have to do them to gain skill points to upgrade your character but felt more a curfew than anything else (especially at a certain point of the game you have so much skill points accumulated but nowhere to redeem the upgrades).
In conclusion, if you love heavy metal and looking for a good game really doing a service  to the genre, grab a copy and play it. The game is far from perfect, there are much better adventure games and real RTS games to quench your thirst than this one. But in my opinion, this was the PERFECT metal game ever I have been playing so far and really wish someone decides to renew this experience.

[Metal/Gothic Metal] The Gathering – Always (25th Anniversary Release)

Yesterday marked the 25th anniversary of The Gathering first album “Always”, released in June , 1992. I retrospectively discovered this album after being introduced to the band through “Mandylion”. It was their only doom metal album, with Bart Smits in the growl, but man that was my gateway to doom/gothic metal. And even 25 years later, it still have the freshness. It is a 48 minutes album, spanning over 8 tracks, nicely blending the guitars and the keyboards.
We got into it “The Mirrors Waters”, that has this distinctive keyboard tunes opening the track and bringing on the heaviness cloak of doom, rapidly introducing Bart growls. The second track, “Subzero”, brings a higher speed tone but never sacrifice the heaviness. The third track, “In Sickness And Health”, continues into the doom with an heavy influence of the keyboards. It is a nice one, but kind of a weak one too. “King for A Day”, wipes it out from your mind pretty quickly, imposing itself as my favorite track. Its starts heavy and doom to slowly transition into a progressive track with the keyboards leading the way and giving Marieke Groot (the female supporting vocal) a full opportunity to display her vocal performance.  With Barts hitting the low cleans and Marieke hitting the high notes, it gives this magic atmosphere.
The rest of the album continues in the doom tunes with “Second Sunrise” and “Stonegarden”, two enjoyable tracks. “Always” breaks the mold as an instrumental mostly played on the keyboards with backing drums, feeling you sailing boat ashore. “Gaya’s Dream”, the last track, concludes the album with the same tunes that most of the rest of the album.
Unfortunately, that was the only album from the band that was close from doom as it can be. Their second album was honestly a disaster, a hodge podge, an UFO in their discography. By “Mandylion”, their third album, and the introduction of Anneke in the band, the sound was deeply settled into Gothic and lasted for their next two albums. There is a reason why Sam Dunn (BangerTV) had The Gathering placed in the Gothic Metal family tree, and they rightfully belongs to it. They set the tone for European metal bands in that genre and surely set the way for female-fronted gothic metal bands. I personally think the Gathering did a major public service to Dutch metal bands, as few years following their release and touring, Dutch metal bands flourished as tulips bringing some of the best metal to hear (Within Temptation, After Forever, Epica…)
There are two versions of the album: the original recording (see the featured image) and a re-engineered version dubbed “Downfall – The Early Years”. Avoid the latter one as the plague. The goal of a re-engineering is to improve the original master to a higher quality. Seems that the sound engineer behind that thought otherwise, resulting in a sort of washing machine sounds that in my opinion slash the original tracks.
Otherwise, if you want to hear some influential bands in the European Gothic Metal and like to explore some metal history, you should grab a copy and listen. A pleasurable experience to listen.

[Metal/Gothic] The Gathering – Nighttime Birds (20th Anniversary Review)

Yesterday marked the 20th anniversary of the Gathering fourth album “Nighttime Birds”. In my opinion this is the last best album from the album, right before they achieved their  transition into some more acoustic and trip-hop album. It has the vibes and the heaviness of “Mandylion” and yet also explored some new sounds. It is a 9-song album lasting 49 minutes.
If I had to go to a desert album and have to choose three albums of the band, this one will make it into the top 3 with “Always” and “Mandylion” (I guess by now you get the point that I am obsessed with the latter, no?)
We get introduced into it with “On Most Surfaces” directly a continuation of “Mandylion” with a lot of similarities with “Sand and Mercury”, in other words some musical delight. “Confusion” downplays the heaviness but still keep on the melodics we got accustomed to  in their previous album, allowing us to enjoy Anneke’s voice, having this kind of melancholic tone. Thats one of my favorite that’s acting as a tag when someone ask me “how The Gathering sounds like?”.
“The May Song” is already investing more into a more progressive sound, more trip-hop sounds clearly cueing us on how the band was envisioning themselves with their next albums. “The Earth Is My Witness” brings us the “Mandylion” feels, with Anneke’s lyrics and vocals making a prime example of the melodic style of this album: a transition from gothic metal into something more progressive. Another favorite.
“New Moon, Different Days” gives this chilling and relaxing feels, slowly swung by Anneke. Almost feels like a lullaby for a metalhead. “Third Chance” brings on the guitars and the gothic metal sounds, giving this extra kick, whereas “Kevin’s Telescope” brings us as a farewell note from “Mandylion” by its melodics and musical arrangement. “Nighttime Birds” indeed marks the blends of the past (“Mandylion”) and the upcoming future (“If Then Else”) artistic direction of the band, giving this surrealistic track, like a seal on a whole epoch.
Finally, the last title of the album “Shrink” a mostly acoustic (piano solo) with Anneke’s solo is just an amazing song to listen and enjoy. This was a time in which very few female voices were heard on the metal scene and really before the scene got populated by Tarja, Cristina and Sharon. I still remember this song, as it was part of the playlist of their gig in town, somewhere in 2003. Anneke performed it live with the lead singer of Pale Forest (the band that provided the opening act).
This album is in my opinion the epitaph of the band. This is where I felt the most comfortable with the band before moving away to other sounds. Other albums came such as “If Then Else”, “Souvenirs”, “How To Measure A Planet” but none of them had this attraction that I had with the previous ones. By then, the band sailed away into other shores.
If you are not a metalhead by heart and want to get introduced to the band, pick this one. It is a great primer and I would definitely recommend to swim upstream and explore their gothic/doom roots.

[Metal] Lacuna Coil – You Love Me ‘Cause I Hate You (Official Video)

You have to stop what you are doing right now and watch this official video of Lacuna Coil “You Love Me ‘Cause I Hate You” from their album “Delirium”. It’s an amazing videoclip formatted as a short giallo.


Rarely a videoclip from a metal band looked so sleek and carefully crafted, with an amazing photography (it feels like straight from an Dario Argento movieset), a good acting from the band members and an interesting story plot to follow.