[Metal/Melodic Metal] Alwaid – The Machine and The Beast (90%)

alwaid___the_machine_and_the_beast__front_cover__by_zero_scarecrow13-dan7kjd

Sometimes, the post office can bring you a nice surprise in front of your doorstep. That surprise was coming from Alwaid (Lille, France) through the form of their second album “The Machine and The Beast” I have contributed in crowdfunding sometimes end of last year and beginning of this year. I completely forgot about it and I guess the French post office also probably forgot how to send it overseas, so it ended up last week in front of my door.
This second album is an 11-songs album spanned over 57 minutes. What I can tell is very dependent on if you have listened or not to their first album “Lacus Somniorum” because it is an almost 180 flip from this one. Let me explain. Their first album, it felt mostly ethereal having this atmospheric doom metal vibes backed by the high vocal ranges of Marie (the front singer). In this one, you get blown by the heaviness of the album. It is like trading the calm shores of the Sea of Black Tears and now facing the Guns of Navarone, the Stalin’s organs with the heavy riffs and fast-paced melodics leveling up everything in front of it. Even Marie traded her high vocals into much lower tones. Thats explains why I found it takes a 180 flip from “Lacus”.
Things starts with a symphonic opening “Enter the Other One Inside” giving this aspect of grandiose rapidly followed by the heavy tones of “Amphisbaena” reminding us something similar to “Hei! Aa-Shanta’nygh!” but also something different: Marie hitting the low octave for the first time in their discography. You are kind of confused if Marie is still in until she hits the higher notes as a reminder (yep, thats Marie!). Alwaid bringing up the big show, big time in their opening act! It is rapidly followed by “When Giants Wake” and “The Whale” bringing some melodic death tunes in it, keeping you riding afloat. “The Lord of Cities” reminds me a lot “The Scream That No One Heard”, my favorite on “Lacus”, feeling like a power metal ballad by its fast-paced drums, its heavy and melodics  and Marie high-vocal pitch. It is like riding a Rainbow Unicorn from Hell and slashing orcs and ghouls in the Valley of Death. “Monsters By Gaslight” have this kind of feeling that I would hear from Whyzdom (another of my favorite French metal band) and pumps you up enough to grab your mighty axe and slash some demons.
“Sang Noir” slows down the whole album but in a good manner, bringing this melodic ballad track with some familiar with “The Cypress Grove”.
“So The Song Went”, track 8 brings on this orchestral opening giving this feel I had with “Alghavil Altannin” from their previous album, slow and  languishing pain almost feeling like doom metal. “Idle Riddles And Rhymes” is certainly the most symphonic song of the all album, with this dark symphonic tones. “Fractalized” is the acoustic ballad track of the album, with an acoustic guitar that is a pleasing. “The Call of the Wild” is the one that I would say is the weakest track of the whole album. I don’t know why or to how to explain it but found it quite displeasing to my ears.
Alwaid perfectly renewed their winning formula of “Lacus…” and yet improving it by making it heavier, bolder, faster and darker. In a time where a lot of FFM bands water down their metal with post-processing or an overuse of keyboards putting the guitars in the back burner, Alwaid brings them upfront. The result? Something that makes you feel like riding in the Valley of Death on a Unicorn from Hell and slashing an army of orcs with your mighty axe. France, slowly but surely, is joining the elite club of FFM bands and Alwaid is certainly the challenger you want to keep an eye on. Rightfully, it merits the June “album of the month”.

[Metal/Symphonic Metal] Nightwish – Century Child (15th Anniversary)

Today marks the 15th anniversary of Nightwish fourth album “Century Child”, released in May 25th 2002. It is a natural evolution of Nightwish from their first album “Angel Fall First”, slowly transitioning into a more evolved symphonic elements and foremost marked by the presence of Marco Hietala as a damn good backup vocalist (to be honest, Tuomas was not such a great vocal in “Angel Fall First”).
It is a 10-track album lasting a bit more than 57 minutes. I really liked this album as it was refining the symphonic metal genre with a nice keyboard arrangements coupled with the guitars.
It starts with “Bless The Child” that exists into two versions: the album edit and the video edit (that cut through the introduction). Its Nightwish, in the direct continuation of their work with “Oceanborn”  and “Wishmaster”, maybe relieving the heaviness and pushing on the softness. I strongly recommend to listen the album edit that has a much nicer introduction. Also note the “Imperial March” tunes at the last third of the song.
https://youtu.be/U52aAa9VkEk

“End of all hope” brings on the bang and the heavy of a “Wishmaster”, whereas “Dead to The World” is more reminiscent of Tuomas keyboard arrangement heard in “Oceanborn”. “Ever Dream”, one of the classic is a very common song ending in the playlist. It is also a very good benchmark to compare the vocal styles between Tarja, Anette and Floor. This is an example on how Floor made the best match to Tarja as vocals in my opinion. You can almost shred two live performances of it, blend them together and ask you to tell me who is singing.

“Slaying The Dreamer” and “Forever Yours” (both 5th and 6th songs of the album) are the meh songs in my opinion. They are okay, but I don’t get the vibes on them so they quickly get skipped on my playlist. “Ocean Soul” in the opposite is one of my favorite, bringing the Nightwish style, a very nice romantic ballad lead by Tarja in the vocals. One of my favorite with “Phantom of The Opera”.

“Feel for you” is my opinion another campy song that also end up skipped in my playlist. Then comes the piece of resistance. “The Phantom of The Opera”, the last song of the album. Lasting a good 10 minutes with this gothic romance inspired by the 1986 Broadway musical of the same name, inspired by the novel “Le Fantome de l’Opera (Garnier)” by Gaston Leroux (serialized in 1909-1910).
It starts with the classical church organs, followed by Empuu guitars and Jukaa drums kind of marking the dueling that will take place between Tarja and Marco. This is the best duet in a Nightwish song and one of these songs in which Tarja unleashed her soprano voice and showing her professional training.
This is a must-have in your collection, for two reasons. First, this is the album before “Once” that have Tarja fronting. Second it is a very good milestone in Nightwish artistic direction in which Tuomas became more confident and focused.

[Metal/Gothic] The Gathering – Nighttime Birds (20th Anniversary Review)

Yesterday marked the 20th anniversary of the Gathering fourth album “Nighttime Birds”. In my opinion this is the last best album from the album, right before they achieved their  transition into some more acoustic and trip-hop album. It has the vibes and the heaviness of “Mandylion” and yet also explored some new sounds. It is a 9-song album lasting 49 minutes.
If I had to go to a desert album and have to choose three albums of the band, this one will make it into the top 3 with “Always” and “Mandylion” (I guess by now you get the point that I am obsessed with the latter, no?)
We get introduced into it with “On Most Surfaces” directly a continuation of “Mandylion” with a lot of similarities with “Sand and Mercury”, in other words some musical delight. “Confusion” downplays the heaviness but still keep on the melodics we got accustomed to  in their previous album, allowing us to enjoy Anneke’s voice, having this kind of melancholic tone. Thats one of my favorite that’s acting as a tag when someone ask me “how The Gathering sounds like?”.
“The May Song” is already investing more into a more progressive sound, more trip-hop sounds clearly cueing us on how the band was envisioning themselves with their next albums. “The Earth Is My Witness” brings us the “Mandylion” feels, with Anneke’s lyrics and vocals making a prime example of the melodic style of this album: a transition from gothic metal into something more progressive. Another favorite.
“New Moon, Different Days” gives this chilling and relaxing feels, slowly swung by Anneke. Almost feels like a lullaby for a metalhead. “Third Chance” brings on the guitars and the gothic metal sounds, giving this extra kick, whereas “Kevin’s Telescope” brings us as a farewell note from “Mandylion” by its melodics and musical arrangement. “Nighttime Birds” indeed marks the blends of the past (“Mandylion”) and the upcoming future (“If Then Else”) artistic direction of the band, giving this surrealistic track, like a seal on a whole epoch.
Finally, the last title of the album “Shrink” a mostly acoustic (piano solo) with Anneke’s solo is just an amazing song to listen and enjoy. This was a time in which very few female voices were heard on the metal scene and really before the scene got populated by Tarja, Cristina and Sharon. I still remember this song, as it was part of the playlist of their gig in town, somewhere in 2003. Anneke performed it live with the lead singer of Pale Forest (the band that provided the opening act).
This album is in my opinion the epitaph of the band. This is where I felt the most comfortable with the band before moving away to other sounds. Other albums came such as “If Then Else”, “Souvenirs”, “How To Measure A Planet” but none of them had this attraction that I had with the previous ones. By then, the band sailed away into other shores.
If you are not a metalhead by heart and want to get introduced to the band, pick this one. It is a great primer and I would definitely recommend to swim upstream and explore their gothic/doom roots.

[Metal] Lacuna Coil – You Love Me ‘Cause I Hate You (Official Video)

You have to stop what you are doing right now and watch this official video of Lacuna Coil “You Love Me ‘Cause I Hate You” from their album “Delirium”. It’s an amazing videoclip formatted as a short giallo.


Rarely a videoclip from a metal band looked so sleek and carefully crafted, with an amazing photography (it feels like straight from an Dario Argento movieset), a good acting from the band members and an interesting story plot to follow.

 

[Metal/Powermetal] Seven Kingdoms – Decennium (90%)

Getting my hand on Seven Kingdoms latest album “Decennium” was kind of the wanderlust on betting on a band you don’t know much about and give a small helping hand with crowdfunding. The album was teasing me for the last few months (to be honest since January) and what I can tell it worth all that wait.
Seven Kingdoms is a FF Power Metal band from Florida, USA. Little I knew that once I pressed the “play” button on my iPod Classic that it would take me into a full-speed roller coaster through 14 tracks and lasting 72 minutes.
It is fast-paced, heavy riffs, fully pumped on energy making you to want to ride over a battle cat (armed with eye-lasers of course) and slash some demons and dragons with a legendary Bat’leth. But lets get back to the essential and go through the album.
It is a 72 minutes of damn good of power metal fueled by lyrics heavily inspired by heroic fantasy.
It starts with “Stargazer”, an engaging power metal melodics, transitioning into “Undying” (one of my favorite) and “In The Walls” into a perfect suite, giving little space to breath into your legendary battle. “The Tale Of Deathface Ginny” brings into  some of the best time of heavy metal from the 80s with its storytelling. “Castles in the Snow” continues into the heroic-fantasy, a good one but kind of feel a bit setback. Then comes one of the piece de resistance. “Kingslayer”, bringing the cannons of Navaronne, the Stalin’s Organ. That stuff that makes you get up from your chair, take a sword and rush to the battle.

You think you are done? Wait the call for the battle is still going one with “The Faceless Hero”. Things starts slowly to settle down with “Never-ending” bringing on some good heavy metal vibe but kind of setting the fervor on the back burner, just for this song.  “Hollow” brings you back in the heart of action and finishes with “Awakened from Nothing”, slowing on the pace but keeping on the powerful melodic ballads.

The rest of the album provides an alternative version of “In The Walls” that I found have this small extra-punch and “Undying” bringing you an extra-dose of adrenaline rush. Finally, we have  a remaster of “The Bloody Meadow” and “Stormborn”. I don’t know these titles as they maybe from previous releases but enough to make me dig in deeper into the troll cave and discover the previous albums.

As they are releasing the album, so are they also starting their US tour, if you have a chance to, check them out, they surely blow on stage.
My final word? Buy this album! This is my album of the month without hesitation. Take your cloak and run get this album.

[Metal/Powermetal] Seven Kingdoms – Kingslayer (Official Video)

The US power metal band Seven Kingdoms new album “Decennium” is due to release tomorrow ahead of their North American tour. To mark the release of their album, they released a official video for “Kingslayer”, one track of their album. Well, what I can say: “ca poutre pas mal!” and eager to review that album.
Want to see and hear what it sounds like? Listen below:

[Metal/Symphonic] Midnight Sorrow – Pick A Tale (80%)

After two long years of waiting, Midnight Sorrow (Strasbourg, France) finally released their first full length album. This French symphonic metal band fronted by Maureen had a good feedback on their first EP “At First”. Maureen voice is very interesting, because she is one of the few French metal singer that can put high notes without pushing, reaching the same tones than Tarja and Sharon.
It is a 13-track album, lasting about 63 minutes and including three remastered songs from their original EP. I will discuss more about them later.
We get into the album with “Prelude of the Night”, giving this kind of mysterious feeling, almost felt like watching the opening sequence of Dario’s Argento “Suspiria”.  The album quickly and seamlessly transition into “Glorious”, a soft introduction to the band. Its good, it is not overproduced but it is also maybe lacking a bit of a “bang” that would like when you listen a first song of an album. The third track, “Between Sun & Moon”, is a remastered version of their EP. I like it, it sounds better but in the same time not overproduced or arranged.

They keep it simple, refined but simple, with a touch of Celtic flute. “Lost for Eternity” brings on the heavier tones, surfing even into some power metal tunes.

“Black Snow” was okay but if I compare to other songs, I found it kind of weak. “Number 6” brings on the power melodics, showing the potential the band and Maureen, really make me to get out my chair and headband with my (almost) bald head :p.
We then continue with three “remixes” from songs taken from their EP, with “Crystal Drops”, “Waterfall” and “At First”. All three well arranged and really enjoyable to listen again with the new tone. “The Place” was nice to listen, mixing between the symphonic and the power melodic tones. “Phaze” is the acoustic metal ballad of the album, making you prompt to take out your lighter and slowly swing your arm. It is a very nice track. “Treasure of Your Life”, the 12th track of the album is also the longest totaling almost 12 minutes made of several acts, blending elements of symphonic and power metal. With catchy tunes and drums that make it engaging, this is my favorite of the whole album. Finally, the last track “A Last Ceremony” closes the album. It is fine, reserved but kind of left hungry.

Overall, Midnight Sorrow first album worth the discovery. In times where symphonic metal bands are fighting each others via “faster, louder and fluffier” arrangements, “Pick A Tale” comes as an elegant and delicate piece of symphonic metal album that is enjoyable without saturating your ears.
The major criticism is probably the album may have a certain bland taste, I was expecting something a bit more spicy, a bit more “piquante”, you know something to bang on.
If you have to pick an album this month and want to get out settled paths, give a try to the band.