[Metal/Symphonic Metal] Nightwish – Century Child (15th Anniversary)

Today marks the 15th anniversary of Nightwish fourth album “Century Child”, released in May 25th 2002. It is a natural evolution of Nightwish from their first album “Angel Fall First”, slowly transitioning into a more evolved symphonic elements and foremost marked by the presence of Marco Hietala as a damn good backup vocalist (to be honest, Tuomas was not such a great vocal in “Angel Fall First”).
It is a 10-track album lasting a bit more than 57 minutes. I really liked this album as it was refining the symphonic metal genre with a nice keyboard arrangements coupled with the guitars.
It starts with “Bless The Child” that exists into two versions: the album edit and the video edit (that cut through the introduction). Its Nightwish, in the direct continuation of their work with “Oceanborn”  and “Wishmaster”, maybe relieving the heaviness and pushing on the softness. I strongly recommend to listen the album edit that has a much nicer introduction. Also note the “Imperial March” tunes at the last third of the song.
https://youtu.be/U52aAa9VkEk

“End of all hope” brings on the bang and the heavy of a “Wishmaster”, whereas “Dead to The World” is more reminiscent of Tuomas keyboard arrangement heard in “Oceanborn”. “Ever Dream”, one of the classic is a very common song ending in the playlist. It is also a very good benchmark to compare the vocal styles between Tarja, Anette and Floor. This is an example on how Floor made the best match to Tarja as vocals in my opinion. You can almost shred two live performances of it, blend them together and ask you to tell me who is singing.

“Slaying The Dreamer” and “Forever Yours” (both 5th and 6th songs of the album) are the meh songs in my opinion. They are okay, but I don’t get the vibes on them so they quickly get skipped on my playlist. “Ocean Soul” in the opposite is one of my favorite, bringing the Nightwish style, a very nice romantic ballad lead by Tarja in the vocals. One of my favorite with “Phantom of The Opera”.

“Feel for you” is my opinion another campy song that also end up skipped in my playlist. Then comes the piece of resistance. “The Phantom of The Opera”, the last song of the album. Lasting a good 10 minutes with this gothic romance inspired by the 1986 Broadway musical of the same name, inspired by the novel “Le Fantome de l’Opera (Garnier)” by Gaston Leroux (serialized in 1909-1910).
It starts with the classical church organs, followed by Empuu guitars and Jukaa drums kind of marking the dueling that will take place between Tarja and Marco. This is the best duet in a Nightwish song and one of these songs in which Tarja unleashed her soprano voice and showing her professional training.
This is a must-have in your collection, for two reasons. First, this is the album before “Once” that have Tarja fronting. Second it is a very good milestone in Nightwish artistic direction in which Tuomas became more confident and focused.

[Metal/Gothic] The Gathering – Nighttime Birds (20th Anniversary Review)

Yesterday marked the 20th anniversary of the Gathering fourth album “Nighttime Birds”. In my opinion this is the last best album from the album, right before they achieved their  transition into some more acoustic and trip-hop album. It has the vibes and the heaviness of “Mandylion” and yet also explored some new sounds. It is a 9-song album lasting 49 minutes.
If I had to go to a desert album and have to choose three albums of the band, this one will make it into the top 3 with “Always” and “Mandylion” (I guess by now you get the point that I am obsessed with the latter, no?)
We get introduced into it with “On Most Surfaces” directly a continuation of “Mandylion” with a lot of similarities with “Sand and Mercury”, in other words some musical delight. “Confusion” downplays the heaviness but still keep on the melodics we got accustomed to  in their previous album, allowing us to enjoy Anneke’s voice, having this kind of melancholic tone. Thats one of my favorite that’s acting as a tag when someone ask me “how The Gathering sounds like?”.
“The May Song” is already investing more into a more progressive sound, more trip-hop sounds clearly cueing us on how the band was envisioning themselves with their next albums. “The Earth Is My Witness” brings us the “Mandylion” feels, with Anneke’s lyrics and vocals making a prime example of the melodic style of this album: a transition from gothic metal into something more progressive. Another favorite.
“New Moon, Different Days” gives this chilling and relaxing feels, slowly swung by Anneke. Almost feels like a lullaby for a metalhead. “Third Chance” brings on the guitars and the gothic metal sounds, giving this extra kick, whereas “Kevin’s Telescope” brings us as a farewell note from “Mandylion” by its melodics and musical arrangement. “Nighttime Birds” indeed marks the blends of the past (“Mandylion”) and the upcoming future (“If Then Else”) artistic direction of the band, giving this surrealistic track, like a seal on a whole epoch.
Finally, the last title of the album “Shrink” a mostly acoustic (piano solo) with Anneke’s solo is just an amazing song to listen and enjoy. This was a time in which very few female voices were heard on the metal scene and really before the scene got populated by Tarja, Cristina and Sharon. I still remember this song, as it was part of the playlist of their gig in town, somewhere in 2003. Anneke performed it live with the lead singer of Pale Forest (the band that provided the opening act).
This album is in my opinion the epitaph of the band. This is where I felt the most comfortable with the band before moving away to other sounds. Other albums came such as “If Then Else”, “Souvenirs”, “How To Measure A Planet” but none of them had this attraction that I had with the previous ones. By then, the band sailed away into other shores.
If you are not a metalhead by heart and want to get introduced to the band, pick this one. It is a great primer and I would definitely recommend to swim upstream and explore their gothic/doom roots.

[Metal] Lacuna Coil – You Love Me ‘Cause I Hate You (Official Video)

You have to stop what you are doing right now and watch this official video of Lacuna Coil “You Love Me ‘Cause I Hate You” from their album “Delirium”. It’s an amazing videoclip formatted as a short giallo.


Rarely a videoclip from a metal band looked so sleek and carefully crafted, with an amazing photography (it feels like straight from an Dario Argento movieset), a good acting from the band members and an interesting story plot to follow.

 

[Metal/Powermetal] Seven Kingdoms – Decennium (90%)

Getting my hand on Seven Kingdoms latest album “Decennium” was kind of the wanderlust on betting on a band you don’t know much about and give a small helping hand with crowdfunding. The album was teasing me for the last few months (to be honest since January) and what I can tell it worth all that wait.
Seven Kingdoms is a FF Power Metal band from Florida, USA. Little I knew that once I pressed the “play” button on my iPod Classic that it would take me into a full-speed roller coaster through 14 tracks and lasting 72 minutes.
It is fast-paced, heavy riffs, fully pumped on energy making you to want to ride over a battle cat (armed with eye-lasers of course) and slash some demons and dragons with a legendary Bat’leth. But lets get back to the essential and go through the album.
It is a 72 minutes of damn good of power metal fueled by lyrics heavily inspired by heroic fantasy.
It starts with “Stargazer”, an engaging power metal melodics, transitioning into “Undying” (one of my favorite) and “In The Walls” into a perfect suite, giving little space to breath into your legendary battle. “The Tale Of Deathface Ginny” brings into  some of the best time of heavy metal from the 80s with its storytelling. “Castles in the Snow” continues into the heroic-fantasy, a good one but kind of feel a bit setback. Then comes one of the piece de resistance. “Kingslayer”, bringing the cannons of Navaronne, the Stalin’s Organ. That stuff that makes you get up from your chair, take a sword and rush to the battle.

You think you are done? Wait the call for the battle is still going one with “The Faceless Hero”. Things starts slowly to settle down with “Never-ending” bringing on some good heavy metal vibe but kind of setting the fervor on the back burner, just for this song.  “Hollow” brings you back in the heart of action and finishes with “Awakened from Nothing”, slowing on the pace but keeping on the powerful melodic ballads.

The rest of the album provides an alternative version of “In The Walls” that I found have this small extra-punch and “Undying” bringing you an extra-dose of adrenaline rush. Finally, we have  a remaster of “The Bloody Meadow” and “Stormborn”. I don’t know these titles as they maybe from previous releases but enough to make me dig in deeper into the troll cave and discover the previous albums.

As they are releasing the album, so are they also starting their US tour, if you have a chance to, check them out, they surely blow on stage.
My final word? Buy this album! This is my album of the month without hesitation. Take your cloak and run get this album.

[Metal/Powermetal] Seven Kingdoms – Kingslayer (Official Video)

The US power metal band Seven Kingdoms new album “Decennium” is due to release tomorrow ahead of their North American tour. To mark the release of their album, they released a official video for “Kingslayer”, one track of their album. Well, what I can say: “ca poutre pas mal!” and eager to review that album.
Want to see and hear what it sounds like? Listen below:

[Metal/Doom] Trees Of Eternity – Hour Of The Nightingale

I wish I could have reviewed this album in a better context, but I also wanted to review this album in the memory of late Aleah Stanbridge. Aleah left us that day last year, leaving us orphan with her only album “Hour of The Nightingale”.

I started to know Aleah only after learning her death from the announcement by Juha Raivio (Swallow The Sun) last year. Sadness and tears came by listening to her ethereal  and melancholic voice, perfectly matching to the gothic and doom metal artistic style harbored by the album.

“Hour Of The Nightingale” is a 10-track album totaling 63 minutes of beautiful doom metal tracks. The album starts with “My Requiem” introducing us to Aleah’s voice and to familiar tunes, as Juha from Swallow The Sun collaborated heavily on this album, among other Finnish metal artists. It is minimal but so heavily laden with emotions through the lyrics that it infuses you with the melancholy of nostalgia. The descent in the melancholy continues with “Eye Of The Night”, “Condemned To Silence”.

“A Million Tears” brings on the doom and the gloom, making it one of my favorite. Melancholic tunes, the ethereal voice of Aleah and the lyrics loaded with sadness and full of sorrow, making it hard to keep on your tears. It wrenches your mind and makes the mourning even more painful, even after a year.

“Hour of the Nightingale” and “Broken Mirror” may sound a bit more cheerful, with a touch of sludge metal (a sub-genre in the doom metal involving an infusion of Southern metal)  in it but it is still loaded with emotions.

“Black Ocean” gives this atmospheric doom tunes that providing a soothing moment, with a remarkable instrumentation and melodics. Finally, the album closes with “Sinking Ships”, leaving us ashore with a melancholic ballad and with “Gallows Bird” featuring Nick Holmes (Paradise Lost). Minimalistic but so powerful, making a perfect bond between one pillar of Gothic/Doom metal and a new generation.

It is a remarkable and flawless album, solid as a granite tombstone, with no imperfections. Considering this was her first album, it was a remarkable piece of artwork that very few artists could master at this stage. There is no filler, there is no weak tracks. All tracks are remarkable, yet each of them with the unique identity but all sharing the same converging point: the sadness, the melancholy and the mourning of loosing our dearest.

Aleah left us taken by cancer, roughly in the same time that one of my beloved uncle also got taken away by the same type of disease (very unlikely the same type of cancer, but from the metastatic cancer cells that have spread inside his body). We came far with our fight against cancers (because each cancer is somehow unique) but we are still far over on winning that war. Until then, we will loose more talented and affectionate people from it.

RIP Aleah 😦

[Metal/Synthwave] Master Boot Record – Street Fighter II Ken stage cover

MBR has been very prolific in making synth wave covers of video games sound. Last week, we had a chance to listen to his “Super Metroid” (Ninendo – SNES) cover. Few days later, he also posted his “Street Fighter II” (Capcom) cover, recreating the tunes of “Ken Stage”.
Just listening to it is like a trigger alert, instinctively letting you shout “Ha-Du-Ken!”, some well-placed “Sho-Ryu-Ken” Dragon Punch, all on your C64 computer. For that cover, we have a clear winner: “You Win. Perfect!”