Few days ago marked the release of Adrana’s first album “Perturbatio” (according to Metal-Archives.com, it was released on June 8th 2008). What can I tell about from one of my favorite French metal band? That it was an interesting first album, that it can sounds sometimes goofy as any first albums but also also has some valuable gold nuggets, just by listening to the soprano voice of Anne is enough to bring it up into the ranking. And also because it has a lots of tracks sung in French, so thats another perk to add.
It is a 14 track album, totaling about 50 mins of songs. We get into it with an intro sequence “Enter Prusias” that sounds like a medieval swordfight (for me, it sounded like more a cutelry fight) which you can guess is a ramp to “Prusias”. With “Prusias”, you get insta-slapped by the voice of Anne, singing with her high vocal ranges really making the tone of Adrana over a “Symphonic metal” band and more into its own “Opera metal” subgenre. Blending soprano opera feminine voices with metal riffs is my guilty pleasure and Adrana in my guilry indulgence. The second is the pace and musical arrangment, raw and not much relying on the synth keybaords. “Saneday” brings on with a piano solo and progressively introduce metal elements into the composition. “The Moonchildren” is one of the track that I found it a bit goofy, as Anne French accent betrayed her in the introducting narrative and it is quickly followed by “Mortelle Fourberie Infantine”, brining the fast-paced rhythm with Anne’s voice. One of my favoirte. It is followed by “The Nymph’s Corpse”, another of my favorite. But the “piece of resistance” is coming with the following track named “Gabrielus”. Oh boy, this is a battlecry song, that feel like jumping a ride on a white armored horse and raise your sword in the sky calling for the ultimate assault on the legion of orcs, all sang in French and with this might power metal tunes (the 14th track, is an acoustic version of “Gabrielus”). If I have to have someone introduced someone to Adrana, I would definitely use this track.
“Secret Gathering” is an another track that has some goofy elements, especially at the beginning. “l’Eveil de Marklus”, “The Lords of The Tapestry”, “Oprane” and “Ingalrian” are nice tracks but nothing transcendental for me. You can skip them without missing much in my opinion. But the one you should not skip is “Mortualia” that is almost an acapella/acoustic version of Anne with a baritone. Very beautiful if you are into opera voice.
In conclusion, “Pertubatio” is an album like any first album with some goofiness but also some potentials, both from Anne and from musical elements. Indeed, the band further blacksmithed their core element and perfected it with their following up album “The Ancient Realms”.