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Gothic Metal Metal Music

[Metal/Prog] Ghost – Opus Eponymous (10th anniversary review)

This week marked the 10th anniversary release of “Opus Eponymous” from the Swedish band Ghost, which is fronted by Tobias Forge (aka Papa Emeritus). My listening to this album was in a retrospective as I was introduced to the band through their third album “Meliora” with “Cirice” four years ago. As of today, I still consider their first album as their best album. Maybe for the musical style of it, maybe from the overall atmosphere from it.
It is personally an awesome album to listen to on a regular basis. It is a 9 tracks album that is short (34 minutes shy) but nicely crafted with almost no filler. It is a festival for the hear, with this rough guitar reminding me of the early age of progressive rock, coupled with a primitive sound of a MOOG synthesizer (with primitive not being used as a pejorative connotation here, more like in the idea of the original), giving this late-70s/early-80s feels to it.
We start with “Deus Culpa” which is an church organ, which introduce us quickly to “Con Clavi Con Dio” which has this particular trance effect on me, almost psychedelic. A very good track. “Ritual”, the third track, help us to chill out while navigating through the lyrics.
Then comes the piece of resistance. My favorite track. “Elizabeth”, the fourth track. Completely devoted to tell the tale of Erzebeth Bathory, a Hungarian princess which holds on the most cruel woman from the middle-age, rivaling with Vlad “Dracul” in terms of her lust for blood, including the infamous legend (or myth) of her youth beauty perpetuated by bathing in the blood of murdered virgins. It is fast-paced, with a very complementation of the guitars and keyboards. Listening to “Elizabeth” from the original demo tape and the finished product is showing the refined product that was already there, only perfected by professional recording in a studio. We resume the trip into the darkness with “Stand by Him” and “Satan Prayer”, also very good. The seventh track, “Death Knell”, is my second track. Again, a track already present in the demo tape that was rearranged, with these Black Sabbath bells. The eight track “Prime Mover”, is another of these tracks present in their demo tape. It has this nervous and menacing guitar tones, giving this malveolent atmosphere.
“Genesis” is the closing instrumental track of the album. A bliss of primordial MOOG synthesizer coupled with excellent proggy/psychedelic rock riffs, transitioning into that synthesizer waves resulting in this absolute epic epilogue to the album, reminding me of the early days of the 80s.
If you have to get introduced to Ghost, I would certainly recommend to do it by starting with their first album, remaining at the pinnacle of my library from this band.

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