Today marks the anniversary of the freshman album by Black Sabbath, released in February 13th (a Friday none of the less) 1970. This album is an important in the history of modern music, as it is considered as the milestone album, “the mother of it-all” of the whole metal genre, and to the doom metal sub-genre in particular.
50 years and this album still keep its freshness. It is also an album that kept its roots into its era, it has this psychedelic rock vibes, as an extension of Deep Purple and Led Zeppelin sound, yet also infused several key elements that will define the metal genre.
The album is about 39 minutes, and has different iterations depending of the re-issue and edition. The album I own is the North American CD version and I will make my summary out of it.
We are entering the album with the eponymous track “Black Sabbath”. Dang! Listening to it in a retrospective fashion, it has all the element of doom metal: slow pace, monotonous guitar, dark thematic. Ozzy is just awesome in this track, depicting and end of the world to it. It is dark, it is occult, but damn it is.
The second track “The Wizard”, for some reasons always makes me think of “Electric Wizard”, a flagship stoner metal band that is considered as representative of the stoner doom metal, the cousin of doom that runs on weed (it is all about weed with stoner metal). Kind of a more classical rock vibe, but an okay song for me.
The third track on the edition I own is “Wasp/Behind the Wall of Sheep/Bassically/NIB”, a quatuor of proto-metal songs, blending old tunes of their time but also experimenting some features that will define the metal genre, including the drumbeat (deviating from the R&B, and more into a synchronized and regular tempo), heavier guitar riffs, and inclusion of melodic riffs.
The fourth track, “Wicked World”, is interestingly the one that has the closest sound of modern heavy metal in its backbone and its structure, with a very complex solo guitar played to Tommy Iommi, that will become a staple for almost every metal song to come.
The fifth track “A Bit Of Finger/Sleeping Village/Warning” is also a good track, starting wiht an awesome guitar solo before the drums and the bass take over.
Today was also a big revelation about the mysterious figure of the original album cover. (https://loudwire.com/black-sabbath-cover-woman-black-figure/). A mysterious figure that haunted and led to the widest speculations and conspiracies. The woman in question is named Louisa Livingston. After all these years, the album is keeping its freshness.
It is so much fresh then it perfectly blends with modern cover, for instance my favorite being the live cover of it by Within Temptation, giving it this modern feel in a circular fashion, as performed in their Black X-Mas concert few years ago: