If you have been a long time follower, you surely have heard of the “Unholy Trinity” of doom (named after the record label) metaphorized under the UK doom metal bands Anathema, My Dying Bride and Paradise Lost. All three started very dark and heavy doom, only to evolve into their own artistic direction. As Anathema went more into the alternative scene, so did I drifted away from them. Paradise Lost, in my opinion more into death metal shores. They were bringing on the dark lyrics and blended in with the rage of death metal.
Then Paradise Lost came in with their 15th album “Medusa” last Friday. I don’t know if listening to the album alongside watching the very dark and pessismitic ending of “Twin Peaks: The Return”, it really left on me a very good impression by its heaviness and darkness, a sort of a return to their roots.
Lets go through the album, that is a 10-track (I guess this is the iTunes version) and lasting 52 minutes. We got into it with “Fearless Sky”, a majestic introduction sounding like the prologue of a funeral mass, with the growls and lyrics of Nick Holmes. Mind blown by it. Just read an excerpt of the lyrics:
“Life’s contempt, a life of trial to unrest, vilified/I resent, morbid times so oppressed, soul divine/Lies torment, as I try to confess to a fearless sky“. The second track, “Gods Of Ancient” continues into the doom and gloom, is another gem of the album. The third track, “From The Gallows” brings up Greg Mackintosh melodics more upfront and damn I like Greg’s guitar composition. The fourth track, “The Longest Winter” is my opinion the track that brings up the influence of sludge reported by some reviewers but also showcasing the ease of Nick to sing both cleans and growls. Judge by yourself here.
“Medusa” welcomes us with a opening piano followed by the melodics on the guitar by Greg and by Nick Holmes vocals. Languishing and dark. “Passage for the Dead” is in my opinion the second track with a clear sludge tone to it. “Blood And Chaos” sounds more the modern Paradise Lost, this is also my least favorite one. No big deal, but yeah not really fond of. You can make your opinion on it since there is a official video on it:
“Until The Grave” continues into this more modern sound of Paradise Lost. Nice but not transcending either.
As a iTunes special edition, we have two extra tracks. “Shrines” is also a very nice song also harboring this heavy sludge metal influence in it. “Symbolic Virtue” concludes this album by bringing on the old and the heavy doom.
As the band slowly reaches the 30th anniversary of their formation, Paradise Lost show us that pain, sorrow and sadness never heal. That like Sisyphus, we are set fate to perpetually keep the sorrow of those who we have lost, of those we have broke our hearts on. Having a band that can maintain and reconnect to its roots while in the same explore new avenues (like sludge in this one) is in both times soothing and exciting. Brace myself, September is coming with a damn fine selection of great albums.